The God of the Woods: A Novel

An engrossing story about family, loyalty and the lies that can destroy lives for generations. It’s a mystery, but also the story about the choices women make, and the outcomes when those choices are limited by circumstance, money and societal expectations. The story centers around the investigation into the disappearance of the wealthy Van Laar children, who go missing in the family’s wooded estate: Bear Van Laar who vanishes in 1961, and Barbara, who disappears from summer camp in 1975. Both police procedural drama and family saga, the writing is concise, but soft, and the author takes care to craft her characters subtly, revealing more about their personalities by what is not overtly stated. The strength of the novel are the women who carry the story. While the mystery of what happened to the Van Laar children is central to the plot, the growth of the female characters, and their inner lives and thoughts, is at the root of what makes this novel worth reading.

Wow, this story was incredible! From the very first page, it kept me on the edge of my seat, guessing what would happen next. Each chapter introduced a new theory, making it super engaging. The characters were so well-developed and brought to life on the page. But, there were a few things that could be improved. The time skips between chapters were a bit jarring, and the story jumped around a bit too much. Sometimes, a character would be left in a confusing situation for so long that I wondered what had happened the last time I saw them. The page breaks were also a bit unnecessary. Overall, this is a minor issue compared to the rest of the book, which is incredibly well-written.

Loved this book. Good setting, with peaked interest early in book. Also, a plot twist at the end is a good one.

Just like the battle cry of Pan: The Greek God of the Woods. Situated in the Adirondack Mountains is the Van Laar Preserve. Atop its ridge is the Van Laar’s colossal summer home, named Self-Reliance. Far below, is the camp they own, Camp Emerson, which is open to campers eight weeks of the year (June to August). July 1961: 8-year-old, Peter “Bear” Van Laar the fourth (the only child of Peter the third and his wife Alice) vanishes without a trace while hiking with his grandfather (Peter II) in the Adirondacks near the family home Self-Reliance. Following an extensive search no trace of him is ever found. August 1975: The girls in Balsam cabin, Camp Emerson, awaken to find 13-year-old Barbara’s bunk bed empty. Barbara’s surname is also Van Laar – she’s Bear’s younger sister, born after his disappearance, to replace the void he left. Is the Van Laar line cursed? Surely it can’t be a coincidence that they’re two children from the same privileged family! Or are they simply two separate unrelated tragedies? What happened to Bear, and then Barbara? If I could rate The God of the Woods 14 stars (for the 14 cabins of Camp Emerson) then I absolutely positivity would, but I guess 5 stars is enough to convey just how immersive, momentous, and affecting it was. A flawlessly written epic masterpiece of literary suspense fiction, and deep dive character study. There were twists that left me reeling over how shockingly clever they were, and Liz Moore’s use of misdirection and carefully concealed clues were meticulously placed. Every once and a while there is a book that comes along that is so special that I find myself taking much longer than normal to read it, inhaling every word, and taking frequent breaks to reflect on the plot, and characters, to prolong the experience, and The God of the Woods was one such example. The story contained many gothic elements which increased my sense of unease and claustrophobia tenfold. A prickling sensation at the back of my neck permeated the novel from the very first page. First up, was the secluded setting, far enough away from the nearest town of Shattuck to be isolating, surrounded by endless wilderness and the looming Hunt Mountain, with Lake Joan cutting them off even further. Then there were the dilapidated log cabins, once used for hunting parties, complete with unused fireplaces, whose chimneys were occasionally inhabited by bats. Not to mention the origins of Self-Reliance – there was something off-putting and out-of-place about it previously being a Chalet in Switzerland, transported by ship to New York piece-by-piece and then reassembled on the Van Laar Preserve. As expected, there were numerous campfire style legends circulating – whispered stories warning of Slitter, of Scary Mary, and Old John. And last but not least, the plot was built around not one, but two disturbing enthralling mysteries. Those who know me are aware that I love a summer camp setting and this novel contained everything I wanted in one – new friendships, secretive and untrustworthy behaviour, counsellors and campers sneaking around after dark, campfires, sing-a-longs, swimming, hiking, a camper survival trip in the woods, and an end of summer dance. The vivid and intricate descriptions of the campgrounds really brought Camp Emerson to life. There was also a handy map included at the front of the book, showing the layout of the grounds and buildings. And I was thrilled that the author chose to set the camp story arc in the 70's – I adored the nostalgic trip, the slang, and pop culture references. The 1950’s/1960’s timelines were equally compelling. Instead of Camp Emerson, that plot focused on Self-Reliance and Peter and Alice's marriage within its walls, and of course, Bear's disappearance, and what lead up to it, and the fallout resulting from it. The majority of the POV’s were pre-teen/teenage girls and twenty-something women (with the exception of Alice in 1975. She was 41 by this stage), and most of them were damaged or broken (and given what they'd been dealt in life I'm not surprised), beaten down and trapped by their circumstances. Back then women were considered inferior – utterly dependent on the men in their lives to make decisions for them regarding how to look, act, and behave. And a lot of the male characters in this book took advantage of this – were dismissive, controlling and abusive. Not only that when female characters were abused by men, they saw it as their failure, and thought it was them who needed to change, who needed to be more compliant. And those who did take a stand were belittled, mocked, and shunned, by both men and women, for not conforming to the norm. Class, prejudice, injustice, and resentment was another prominent theme. With the Van Laar family and their rich, entitled friends on one side, and the locals from Shattuck (including camp staff, counsellors, household staff, and caretakers) on the other. Self-Reliance, sat high on the hill, on prominent display, lording it over everyone, literally and figuratively, looking down on people. Even its name, Self-Reliance, was an exclusion, a slap in the face for the townspeople, implying that the Van Laar’s had build it themselves with no assistance, when it had been the entire eligible male population of Shattuck who had done so, with no help from the Van Laar’s. And even the fact that the camp staff quarters were situated way down lake from Self-Reliance in the farthest south corner possible, placed in the half of the camp separated by a creek, spoke volumes. The God of the Woods was in my opinion a smash-hit and I strongly urge everyone to read it and experience the magic for themselves. My top read for 2024 so far. Actually, top read full stop.

If you are looking for a traditional mystery-thriller, I suggest you pass on this one. Yes, it has all the elements of mystery with a serial killer, a dysfunctional family dynasty, an abducted child, and moody woodland setting, but it leans more to literary fiction/women's fiction than thriller. That said, in its rather lengthy narrative, we meet all manner of characters wonderfully fleshed out, each with their own story and motivation. They intersect with the core "mysteries" of the book--a little boy who went missing and was never found, and now his troubled sister disappears as well. It is told over several decades jumping back and forth and from numerous points of view. If this is difficult reading for you, take a pass. This author is an amazing talent, and this work displays her genius at creating atmosphere and complicated family dynamics, but I still have questions about character motivation and possible plot holes. Also, the ending is certainly a let down for those looking for a thriller-type wrap up to this long tale.

This novel was okay.. If I fall in love with a novel I read through it very fast, this one was slow-going over 5 months. I liked the storyline but I feel like the ending fell a bit flat. There was so much building towards the end & it became anticlimactic. I was hoping for a more powerful ending of the daughter, but the Bear received a justified ending. In the beginning I had to keep flipping back & forth just to keep the character's stories correct- like I would mix up who was Louise & who was Alice, it wasn't until the middle of the book that I had an established idea of who everyone was & kept their storyline correct.

My opinion is that it is a pleasant book to read, but almost nothing happens in it; it is boring and inconsequential.

spannend bis zum unerwarteten Schluss, sehr empfehlenswert

Tout dans cette histoire est un régal : le style, fluide et si agréable ; les personnages attachants, leurs fragilités, leurs démons, leurs forces ; la nature ; l’atmosphère ; l’intrigue. Tout. Un gros coup de coeur.

Recommended by Stephen King. It was really a page-turner. The story is about the missing boy and girl in the period between ‘60 and ‘70. I am of the same generation as the girl and I particularly felt empathy with the girl, and also with the woman investigator.

Es un gran libro de suspenso. Aunque tiene varios personajes, no te confundes en ningún momento. La forma en que va contando la historia de cada uno, y cómo salta del pasado al presente con tanto detalle, te ayuda a entenderlos muchísimo mejor. Está muy bien escrito y te atrapa desde el principio.