

📸 Elevate your frame with Sony’s sleek 50mm f/1.8 – where pro quality meets everyday ease.
The Sony 50mm f/1.8 Full-Frame E-Mount Prime Lens is a compact, lightweight lens designed for Sony full-frame and APS-C cameras. Featuring a bright f/1.8 aperture, it excels in low-light conditions and produces smooth bokeh for professional portrait and street photography. Its aspherical optical element minimizes distortion, while firmware updates have enhanced autofocus speed and accuracy. At just 186 grams, it’s perfect for daily use and travel, offering exceptional value and image quality for both stills and video creators.












| ASIN | B01DLMD5O6 |
| Best Sellers Rank | 3,203 in Electronics & Photo ( See Top 100 in Electronics & Photo ) 2 in Camera Lenses |
| Box Contents | Hood (ALC-SH146), Lens front cap (ALC-F49S), Lens rear cap (ALC-R1EM) |
| Brand | Sony |
| Brand Name | Sony |
| Camera Lens | 50 millimetres |
| Camera lens description | 50 millimetres |
| Colour | Black |
| Compatible Camera Models | Sony A6100, Sony A6400, Sony A6700, Sony A7 III, Sony A7 IV, Sony A7C, Sony A7C II, Sony ZV-E10, Sony ZV-E10 II |
| Compatible Devices | E Mount Compact system cameras, Sony A7 |
| Compatible Mountings | Sony E |
| Compatible mountings | Sony E |
| Country of Origin | China |
| Customer Reviews | 4.5 out of 5 stars 8,371 Reviews |
| Exposure Control Type | Automatic |
| Fixed Focal Length | 50 Millimetres |
| Focal length description | 50mm |
| Focus Type | Auto and Manual |
| Global Trade Identification Number | 04548736033092 |
| Has Self-Timer | No |
| Image Stabilization Type | Optical |
| Item Type Name | FE Full Frame Lens |
| Item Weight | 186 Grams |
| Lens Coating Description | Multicoated |
| Lens Design | Prime |
| Lens Mount | Sony E |
| Lens Type | Compact system camera lens |
| Lens type | Compact system camera lens |
| Manufacturer | Sony |
| Maximum Aperture | 1.8 f |
| Maximum Focal Length | 50 Millimeters |
| Maximum focal length | 50 Millimeters |
| Media Type | ProductImage |
| Minimum Aperture | 22 |
| Minimum Focal Length | 50 Millimeters |
| Model Name | SEL50F18F.SYX |
| Number of Diaphragm Blades | 7 |
| Photo Filter Size | 49 Millimeters |
| Real Angle Of View | 47 Degrees |
| Screen Size | 3.6 Centimetres |
| UPC | 027242898653 |
| Unit Count | 1.0 Count |
| Video Capture Format | MP4 |
| Water Resistance Level | Water Resistant |
| Zoom Ratio | 1 |
S**.
I have found its most responsive in AFC but still good in AFS
Ignore any reviews pre firmware v3 (or v2), this lens has been transformed. Its not as fast to focus as the Zeiss 55mm but its perfectly suited to day to day shooting and the optics are punching well above its weight price wise. I have found its most responsive in AFC but still good in AFS, ergonomics are excellent (better than the 55), weight is perfect and the focus motor is not as loud as reviews suggest, not noticeable at all really once you get going (unless you have some random OCD!!) The lens has character no doubt about that, images have a great quality especially paired with Sony's fine sensors. If money were no object I would pick the Zeiss 55mm but money is absolutely a factor for me so this is a great surprise to find the lens is nowhere near as bad as I expected. So in summary its got its limitations so don't expect to be blown away but for shooting this lens day to day you can't go wrong IMO, its a little beaut!
F**R
Black Sheep of the Family!
I've been a Pro Photographer for 40 years and recently transitioned to Sony from Nikon. I usually buy a cheap 50mm as standard but hesitated with this model after seeing the initial reviews. I purchased a Sigma 50mm 1.4 Art (too bulky/heavy), CZ 55mm 1.8 (Nervous Bokeh) and Samyang 50mm 1.4 (Terrible AF Performance) but wasn't happy with any of them so returned them. This wee lens was on a deal of the day offer recently so I thought I'd take a punt and buy one and try it. It was one of the best decisions I've made as this lens is brilliant value for money for £145.00. The lens came supplied with firmware version 3.0. VERDICT Exceptionally Sharp, and particularly so at centre Clean Bokeh, with exceptionally smooth focus transition and smooth overall rendering Low Chromatic Aberration Light weight and compact size The AF is a tad slow to acquire focus on AFS but is pretty good on AFC The focusing although somewhat noisy, does not hunt or misfocus at all on any of my bodies.
M**E
Good lens, but loud focusing motor, with lots of chromatic abberation when shooting wide open
Firstly, the build quality of the lens is quite good. It generally looks quite nice, and looks much much better than most canon lenses, especially their 50mm II. The metal casing of the lens feels quite plasticy and the focus ring feels more like plastic than rubber, but it's much higher quality than canons rival 50mm. When shooting at F8, the optics on this lens are amazing! You get a very crisp and very nice image, however, this changes as you go lower. The main draw of this lens is that it is fast, with it's aperture being F1.8 at its widest. Whilst images which are shot at this are fairly sharp, the main problem is the chromatic abberation. It can be extremely noticeable, but is usually able to be hidden using the removal tool in Lightroom. This hasn't majorly impacted me, but I should've expected it from such a cheap lens. The autofocus is also very loud... Overall, I think this is a great lens, especially at its price point, but only giving it four stars, as the chromatic abberation is the worst which I have ever seen on any of my lenses.
D**E
Amazing Performance of the FE 50mm Lens - A Must-Have for Photographers
I recently purchased the FE 50mm lens for my Sony camera, and I must say, it has exceeded my expectations in every way. This lens is a true gem and an absolute must-have for any photographer looking to enhance their skills and capture stunning images. First and foremost, the image quality produced by the FE 50mm lens is simply outstanding. The sharpness, clarity, and level of detail it delivers are unparalleled. Whether shooting portraits, landscapes, or even close-up shots, this lens consistently performs exceptionally well, producing breathtaking results. The colors are vibrant and accurate, and the bokeh effect is beautifully rendered, adding that extra touch of magic to my photographs. Another aspect that impressed me is the lens's wide aperture of f/1.8. It allows for excellent low-light performance and creates a fantastic depth of field, resulting in striking shots with a pleasing background separation. This feature has truly elevated my photography, enabling me to capture stunning images even in challenging lighting conditions. The FE 50mm lens is also incredibly versatile. It's lightweight and compact, making it easy to carry around for everyday use. The autofocus is fast and accurate, ensuring that I never miss a crucial moment. I have found this lens to be ideal for a wide range of photography genres, from portraits and street photography to product shots and even some creative experiments. Durability-wise, the FE 50mm lens feels robust and well-built. It's clear that Sony has crafted this lens with precision and attention to detail. I appreciate the weather-sealing feature, which provides added protection when shooting in adverse conditions. I've taken this lens on various outdoor adventures, and it has held up superbly. Lastly, the overall value for money offered by the FE 50mm lens is excellent. Considering its exceptional performance and the stunning images it produces, the price point is more than justified. It's truly an investment that will undoubtedly enhance your photography journey. To sum it up, the FE 50mm lens is a phenomenal piece of equipment that has become an integral part of my photography gear. It delivers exceptional image quality, boasts a wide aperture, offers versatility across various genres, and is built to last. Whether you're a professional photographer or an enthusiast, I highly recommend adding the FE 50mm lens to your collection. It's an absolute game-changer! Kudos to Sony for creating such an outstanding lens, and thank you, Amazon, for providing a seamless purchasing experience.
J**.
Value beginner lens
Top product for the price, great prime lens for full frame sony
A**R
Good first prime lens if it’s your hobby
Very good first prime lens Not very good autofocus, solution: learn how to use M mode Noisy for video, solution: invest in external microphone. Not weatherproofed, solution: well, I guess there’s no solution but it’s only 165 new and 125 used so if it fails just buy another one, next better thing is 55mm 1,8 but it’s cost like 650 is it worth investment? Not for me, I’m not making money on photography Ive watched over and over YouTube reviews about this lens, 90 % of negative feedback, but then I thought why there are so many happy people on Amazon review, so I gave it a go and was pleasantly surprised, very good picture quality in low light conditions, very sharp, light, not in your face lens, will suits occasional photographer like me. Bare in mind I don’t use autofocus and shoot in M mode. Video, yes I agree autofocus is a bit slow and noisy
S**E
Nifty 50
Seriously the best value lens for Sony mirrorless cameras you can buy. Sharp as a tack, great for portrait photography, compact and lightweight. To get a 50mm f1.8 for the price it's sold at is ridiculous especially as it has AF. For still photography you won't find better value anywhere but it's not built for videography. The AF motor us a little noisy and will be noticeable with the inbuilt mic. If you're using a separate mic you'll be grand but it's maybe a little too slow in the autofocus for some. (It's £160 at the time I bought it - stop complaining!)
B**S
Really impressive for a cheap lens
I've had this lens for about a week now and have done a fair bit of shooting with it. I bought the lens in order to use it with my A7S ii - largely because I wanted something light and cheap to throw around (if it gets knocked it doesn't really matter). I use my A7 largely for video, but also as an 'every day carry' camera. I'll start by talking a little bit about the image quality. To give you some background on this, I've worked as a photographer for a number of years now and generally shoot with Canon gear. I was in no way expecting this lens to stack up to my multi-thousand pound L lenses, but I'll be honest; I'm really chuffed: Sharpness-wise, the lens isn't perfect - wide open it's not razor sharp. 1.8 does exhibit some haze but it's nothing that you can't easily correct in post with some mid-tone contrast adjustments. Stop down to 2.5 and most of that haze is gone. Beyond 2.8 the lens out resolves my sensor so I have literally no complaints. The edges of the frame do suffer quite a lot of blur on full frame, but it's almost a pleasing effect to be honest. Certainly not bad enough for me to be worried at this cost. The fall-off is nice wide open and when stepped down. Again, at this price you can't expect the world. That said, I'd happily shoot portraits with this and not worry about distracting backgrounds. As for other visual defects, there is some chromatic aberration, but I'd almost consider this a non-issue now, what with post-correction I never consider fringing to be worry-some at all. In terms of function the lens is decent; the first thing you'll notice when you get it out of the box is that it's incredibly light. I've been a Canon shooter for years and used to use Canon's 50 1.8ii which people always said felt very lightweight - this feels much the same to be honest. It's plastic on plastic as far as the eye can see. In my use case that's not necessarily a bad thing, but I dread to think what would happen if you dropped it, or regularly used it in professional environments. The weakest part of the lens is probably the AF. It's just not fast. That's not to say it's horrendously slow or anything. If this was your first experience of AF on a prime lens you'd probably be over the moon. But having come from the world of Canon's L lenses and their absolutely instant lock-on, this feels decidedly slow. It very very rarely misses its mark. But you're often left wondering whether it's quite sure of what it's looking at. There's a bit of momentary hunting backwards and forwards before it hits focus. Obviously we're talking about a fraction of a second here, it's nothing to be upset about in a sub-200 pound lens. That said, I find it a little annoying. I've listed some images above so you can get an idea - amazon isn't great with photos so my instagram and unsplash pages are both @benjiblobs if you want a better look.
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3 days ago
2 months ago