

🎞️ Capture truth in every frame — timeless, bold, and unmistakably Kodak.
Kodak Tri-X 400 135/36 is a legendary black-and-white negative film prized by professionals for its 400 ISO speed, exceptional pushability, and wide exposure latitude. Its distinctive grain structure delivers dramatic, authentic monochrome images, making it a top choice for capturing raw emotion and challenging lighting conditions in a compact, easy-to-use format.
| ASIN | B000I2JI3A |
| Best Sellers Rank | #69,588 in Electronics ( See Top 100 in Electronics ) #191 in Photographic Film |
| Department | Default Category |
| Item model number | 866 7073 |
| Manufacturer | Kodak |
| Product Dimensions | 3.81 x 6.35 x 3.81 cm; 22.68 g |
U**R
The best film there is!
M**A
perfecto
K**K
This 35mm 400 ISO film stock is sharp and elegant with almost no grain, or at least a very fine grain structure that is only apparent in larger scans or prints. It has excellent contrast and shadow detail and an almost digital-like quality to edges. If that is the look you are after then look no further. If you want heavy, visible grain, you might be better off with Ilford B&W stock.
B**H
Tri-X is a classic among classics. A Kodak rep, in a recent article about their film division sang the praises of the recent new formulation of T-MAX 400 even mentioned that they haven't dared to touch Tri-X because of it's standing as a true classic. When I first got into photography, I immediately felt disdain for Tri-X. I considered it a 'student film,' the mark of a true amateur! Years down the road, I became less snobby and less foolish, and it has entered my top three film choices of all time (Acros and PanF+ are the other two, for the curious...) So, for those who don't know, here's the skinny on Tri-X. It's a classic grain emulsion. And, that grain will probably show, but it will look smooth and sexy. It's closest competition in the market, Ilford HP5+, has much sharper, in-your-face grain, in my opinion. You can push and pull Tri-X 2 stops in whatever developer you ordinarily use without really batting an eyelash. You can abuse Tri-X. One doesn't typically encouraging abusing things, but Tri-X takes what you throw at it in stride. I keep it in the camera that stays in my trunk, because situations might not necessarily allow me to get a proper exposure at all times, and I don't have the luxury of picking a film for a specific situation with that camera. I respool Minox with it for the same reason. In fact, it's a go-to film for any camera without a meter, where one has to assess exposure in one's head. With that much room for error (for me, at least... I never said sunny/16 was my forté!), a forgiving film is handy. And Tri-X forgives and forgives... Tri-X looks good, gives consistent results, and allows the photographer to make mistakes. The only thing it does not do well is age -- please shoot this stuff before it expires. Expired Tri-X tends to get blotchy, like it has the measles. All in all, a good price for a great film (36 exp in 135 format). You know you want to!
J**N
good stuff
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