Academy Award-winning director Warren Beatty's acclaimed epic comes to DVD for the first time as a two-disc Special Collector's Edition laden with never-before-seen special features > > > > > The film, based on actual events, tells the story of John Reed (Beatty), American Communist, journalist and activist, whose love affair with writer/feminist Louise Bryant (Diane Keaton) unfolds against the explosive backdrop of the Russian Revolution. Jack Nicholson, Paul Sorvino, Maureen Stapleton, Edward Hermann and Jerry Kosinski also star in this classic film masterpiece, which garnered more Academy Award nominations for 1982 - twelve - than any other film in the previous 15 years. On Oscar Night, Reds walked away with coveted statuettes for Best Director (Beatty), Best Supporting Actress (Stapleton), and Vittorio Storaro's sweeping cinematography…
P**E
Greatest Ever Film
I’ve loved this film since its release and this copy was bought as a gift (lucky girl!)
D**S
Historical gem
This was a film of which I had only seen snatches in the past and was keen to see in its entirety. An excellent movie which is probably underestimated. First class performances from Warren Beatty, who also directs, and Diane Keaton interspersed with reminiscences from some of those who remember the aftermath of the Russian revolution. Fine musical score by the incomparable Stephen Sondheim.
N**Y
Life of Red, or A Finely Flawed Film of Epic Proportions
I love epics. The longer the film, the symphony, the novel, the greater the opportunity to immerse oneself in the work and the greater the sense of achievement, of catharsis at the end. "Reds" is an epic, but it is difficult for me to love it, to embrace it. It seems to me to be the work of some immense ego, no matter how fine or important the rest of the characters, no matter how strenuous the efforts made in recreating the times and places in which the film is set.For this is not so much a film about American socialists and communists at the time of the First World War and the Russian Revolution, but rather, in essence, Warren Beatty's epic focuses on the last few years of the life of his character John/Jack Reed. Everything else impinges on this premise, even the smallest of details of Reed's affair with Louise Bryant (played by Diane Keaton), which makes up the bulk of the movie. There is scarcely a shot without Beatty in the frame, and since the film lasts over three hours, this can become trying. Many of the scenes are superfluous to the central story and one can only speculate that the film is less to do with Jack Reed and more to do with Warren Beatty.Indeed, others have already commentated upon the personal links between Reed and Beatty, not only in their personal circumstances but also in their political and philosophical outlooks. Reed was a writer; Beatty is a film-maker. At what point does the artist - the writer, the film-maker - become a polemicist? I am not unsympathetic to Reed's/Beatty's political views, and the story of how Reed, an American left-wing journalist ended up in Russia to report on the revolution, is one of immense interest, especially as he not only has to wrestle with contrary opinions and facts of everyday life but also has to wrestle with his own beliefs and conscience. But over three hours?What helps me forgive Beatty his apparent self-indulgence are the witnesses. At the very start and throughout the following 188 minutes, the film interweaves the testimonies of those who lived through these years and knew Jack Reed personally. They speak direct to the camera in front of a plan black background, telling their fascinating stories and anecdotes. They are not a Greek chorus, but rather witnesses to the story's own veracity. They are touching, brutal, funny and charming. They break up the unwieldy canvas into manageable pieces, allowing the viewer space to breathe and reflect. Without them, the movie would lose much of its fascination.Finally, for those wondering whether the extras on the 25th anniversary edition are worth the investment, well yes, they are! They comprise a series of interlocking films. Many of the stars and of the production team are interviewed and can give their considered opinions of their work after a quarter century's reflection. Naturally, Warren Beatty dominates proceedings, but it was his project after all: actor, screenwriter, director and producer. And it's welcome to experience his self-deprecating manner. These films are, in order: "The Rising" (how the film came about); "Comrades" (the cast); "Testimonials" (the witnesses); "The march" (locations and cinematography); "Revolution" (filming the big scenes); and "Propaganda" (music and other postproduction).All in all, then, a finely flawed film of epic proportions.
W**D
A really good film
Watched this film many years ago and never forgot it . It’s a very powerful film and really enjoyable
C**S
REDS
Wanted a DVD of this film for a very long time and well worth the wait. A great and underestimated movie and a real tour-de-force for Warren Beatty as both actor and director. Highlights a long-forgotten and overlooked period of history, and the 'witness' inserts are excellent.
A**S
A very special approach on John Reeds biography that blended ...
A very special approach on John Reeds biography that blended in with major historical events of the time. Warren Beatty made a film with soul - Very well done.
E**H
Do Some Research Into the 'biographies' of real people before watching biographical films.
Not sure.. two DVD's int he set. So far watched only one. The acting of 'the stars' Warren Beatty and Diane Keaton gets in the way of the story, which is deadly serious, about 2 people who were thinking one thing and getting another. Of course, I haven't watched disk 2 yet. I should do some research into the lives of these individuals before I watch the movie. Probably the best advice with any 'biographical' film.
Z**Y
Very fine film.
A very fine film about an interesting period of history, which I shall enjoy watching many times. Superb acting and direction, and an intelligent script.
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