---
product_id: 7824734
title: "Fishman Aura Spectrum DI Preamp Acoustic Pedal"
brand: "fishman"
price: "27192795₫"
currency: VND
in_stock: true
reviews_count: 8
category: "Fishman"
url: https://www.desertcart.vn/products/7824734-fishman-aura-spectrum-di-preamp-acoustic-pedal
store_origin: VN
region: Vietnam
---

# 128 imaging presets Pro-quality DI output Built-in tuner & EQ Fishman Aura Spectrum DI Preamp Acoustic Pedal

**Brand:** fishman
**Price:** 27192795₫
**Availability:** ✅ In Stock

## Summary

> 🎶 Elevate Your Acoustic Game with the Aura Spectrum!

## Quick Answers

- **What is this?** Fishman Aura Spectrum DI Preamp Acoustic Pedal by fishman
- **How much does it cost?** 27192795₫ with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.vn](https://www.desertcart.vn/products/7824734-fishman-aura-spectrum-di-preamp-acoustic-pedal)

## Best For

- fishman enthusiasts

## Why This Product

- Trusted fishman brand quality
- Free international shipping included
- Worldwide delivery with tracking
- 15-day hassle-free returns

## Key Features

- • **All-in-One Solution:** Integrated compressor, tuner, and EQ for seamless sound shaping.
- • **Professional Quality:** Experience studio-grade DI output that elevates your live performances.
- • **Transform Your Sound:** Unlock 128 acoustic imaging presets for unparalleled tonal versatility.
- • **User-Friendly Design:** Intuitive interface ensures quick adjustments on the fly.
- • **Join the Acoustic Revolution:** Perfect for musicians seeking to enhance their acoustic soundscapes.

## Overview

The Fishman Aura Spectrum DI Imaging Pedal is a cutting-edge acoustic imaging pedal that features 128 customizable imaging presets, professional-quality direct output, and built-in tools like a compressor, tuner, and EQ, making it an essential tool for any serious acoustic musician.

## Description

Aura Spectrum DI is the complete tone solution for the acoustic musician featuring award-winning Aura Acoustic Imaging technology that restores a studio-miked sound to your under saddle or sound hole pickup. Housed in a professional quality all-metal case, Aura Spectrum DI features a 3-band EQ, one-knob compressor, automatic feedback suppression with up to 3 notches, chromatic tuner, effects loop, plus a high-quality balanced XLR D.I. The included Aura Image Gallery software provides access to an ever-expanding list of instruments recorded using world-class studio mics and techniques. Aura Spectrum DI is not only incredibly versatile, but it also delivers the most realistic acoustic sound available for stage or studio. Features: Award-winning Aura Acoustic Imaging 128 pre-loaded Images for use with the most popular acoustic instruments Instrument Preamp with Balanced XLR D.I. out Volume, Blend, and Image Select controls Three band EQ One-knob compressor Automatic anti-feedback with up to 3 notches Built-in chromatic tuner with bypass/mute 16 user-configurable Image locations USB interface for Image downloading from Aura Image Gallery (software included) Feedback-fighting Phase switch Automatic D.I. Ground Lift 9-Volt Battery or optional adaptor operation

Review: Magic Quack-B-Gone box - I love the sound of a good acoustic guitar, but the sound of an acoustic guitar amplified with an undersaddle piezo pickup sounds terrible to me. Terrible. I've walked out on shows because of the buzzing, quacking piezo tone that sounds nothing like an acoustic guitar. A piezo pickup doesn't have a linear response. Of course it doesn't sound right, you are introducing distortion at the front end of your signal chain. Ick. Tragically, there are generations of young guitarists who seem to think that's what an acoustic guitar sounds like. Quaaaack. Some folks think this is an acoustic guitar modeler. It isn't. It will not make your Ovation sound like a Martin. It will not make your six string sound like a 12 string. There are boxes that will do such things (the Roland GR55, for example). What this box does is convert the undersaddle piezo output of an acoustic guitar to a mic'd sound of the same guitar using signal processing. The wizards in the secret Fishman laboratories hook up a guitar with its piezo pickup, and simultaneously mic the acoustic sound of the guitar. When they play the guitar, they electronically compare the mic'd signal to the piezo signal, and store the differences in an image file. When you play your piezo into the Fishman Aura Spectrum DI, it processes the piezo signal with the image to reproduce the mic'd signal. Pretty slick, huh? Science, man. Don't worry, you can still play religious music through it. I bought the Fishman Aura Spectrum DI hoping to tame the duck. It does! But it takes some time to match the image to the guitar. This can be particularly hard if an image is not available for your specific guitar. But there are enough images out there that you should be able to come close. For example, there is no image for my Luna AMD100, but after experimenting I found the Gibson Songwriter Deluxe Cutaway image sounds great on it. Even better, the different microphone models for this image have distinct personalities -- all good. The problems come when the image is mismatched with your guitar. The results can be all over the place. Some will nail the high end, but produce some strange resonances. Others will capture the low end, but produce a plinky high end. Some come tantalizingly close. In this, you can use it as an effect box if that floats your boat. For me, none of the mismatched images sound good. You sure can tell when you hit a well matched image. Boom! Magic! If all else fails, you can ship your guitar to Fishman and ask the wizards to make an image for your guitar. You can even select which microphones they will use. But it will cost you. The manual says to mix the image sound with the piezo. For me, the less piezo the better. I used to play out with a fairly high end acoustic through a magnetic pickup, and was never happy with the sound. I now play out with an inexpensive Chinese made guitar that costs about the same as the Fishman Aura Spectrum DI that is processing it. But I get a better sound than I ever did before. I've seen some folks complain about how much the unit costs. But if you can get great live sound with a modestly priced guitar through the Fishman, why expose your vintage Martin to the drooling, beer flinging hoards? This is a great technology, well integrated into a rugged, handsome, and convenient package. For me, it falls into the category of expensive, but worth it. And nothing else comes close.
Review: Be patient! It can take time to find the right image! - It's easy to understand how this thing could get a bad review by someone who is impatient or doesn't fully understand what it is and what it isn't. To be honest, when it first arrived I'd have to admit I didn't fully understand what it was supposed to do to my guitar sound or how - I only knew what I was *hoping* it would do. Oh I had read the reviews and the online manual and seen a bunch of videos, but even then I didn't truly know how good I could get my guitar to sound or how I could make the Spectrum do it. It's an expensive piece of gear and if it didn't immediately make your guitar sound like angels singing right out of the box its easy to imagine a less patient person looking for the receipt and packing material 15 minutes in. What I've discovered after downloading all the public images from Fishman (a MUST) and trying several dozen images and settings for maybe 3 hours is that a pristine, miked acoustic guitar sound is possible, but getting there requires a lot of experimentation. Consider the variables: Each image is going to shape the sound source according to the microphone and guitar used to create it. Some of the combinations of guitar and microphone have a *dramatically* different effect on the source sound. An important point here is, either find your exact guitar make and model OR use the image wizard tool in the software to get a list of "similar" guitars. If you find an exact match you have an advantage because you just eliminated one of the variables. If not (as in my case - I have a 1984 Alvarez Yairi dred) you must resign yourself to loading several different combinations of guitar/mic images into the Spectrum and doing a lot of A/B comparisons. Other suggestions that may help find that one "sweet spot" image: 1. Eliminate everything else in the signal path. Plug directly into the amp if possible. 2. Keep everything flat, and no effects! Very important - you want to judge the subtle nuances between images on completely uncolored sound. 3. When you find a list of candidate images with the wizard, look up the guitars online and choose the ones that match the wood species of your guitar for back, sides AND top. 4. Understand that if you're playing through an image that doesn't match your exact make & model, your guitar is another variable in the equation that will inevitably color the sound. For example, it you're playing through a Taylor image and your guitar has more depth in the lower notes than a Taylor, the resulting sound might be a bit muddy or boomy, regardless of which mic is used. The trick is to try to match the make/model of the image as closely as possible in woods and acoustics to leave the microphone as the only remaining variable affecting the sound. I've been working with a few dozen images and I'm only now beginning to zero in on some that sound really nice with my guitar. And when I say really nice I mean REALLY nice. Be patient - this is not an effects pedal or a modeler. It will take some time to get the Spectrum tweaked just right to get that beautiful, natural sound you're looking for, especially if you can't find an exact match to your guitar.

## Features

- Acoustic Imaging Pedal with 128 images
- Pro-quality DI
- Compressor
- Tuner
- EQ

## Technical Specifications

| Specification | Value |
|---------------|-------|
| ASIN | B002KWG4QA |
| Amperage | 50 Milliamps |
| Audio Output Effects | Compression, EQ |
| Best Sellers Rank | #44,917 in Musical Instruments ( See Top 100 in Musical Instruments ) #31 in Acoustic Guitar Effects #12,130 in Guitar & Bass Accessories |
| Brand | Fishman |
| Brand Name | Fishman |
| Color | Silver |
| Connector Type | 1/4 inch (6.35mm) audio jack, USB |
| Controls Type | Knob |
| Customer Reviews | 4.1 out of 5 stars 164 Reviews |
| Global Trade Identification Number | 00605609106797 |
| Hardware Interface | USB |
| Included Components | Aura Image Gallery software, USB cable |
| Item Dimensions | 2 x 3 x 6 inches |
| Item Dimensions L x W x H | 6.6"L x 6.1"W x 2.75"H |
| Item Weight | 454 Grams |
| Manufacturer | Fishman Transducers Inc. |
| Manufacturer Part Number | PRO-AUR-SPC |
| Model Name | {FEEDTITLE} |
| Model Number | PROAURSPC |
| Power Source | Battery Powered,Corded Electric |
| Product Dimensions | 6.6"L x 6.1"W x 2.75"H |
| Signal Format | Analog |
| Style | Aura Spectrum DI Pedal |
| UPC | 605609106797 |
| Voltage | 9 Volts |
| Warranty Description | 1 year limited manufacturer warranty. |

## Product Details

- **Brand:** Fishman
- **Style:** Aura Spectrum DI Pedal
- **Color:** Silver
- **Product Dimensions:** 6.6"L x 6.1"W x 2.75"H
- **Item Weight:** 2.2 Pounds

## Images

![Fishman Aura Spectrum DI Preamp Acoustic Pedal - Image 1](https://m.media-amazon.com/images/I/61tu-Na2e6L.jpg)
![Fishman Aura Spectrum DI Preamp Acoustic Pedal - Image 2](https://m.media-amazon.com/images/I/510WpLQQxcL.jpg)
![Fishman Aura Spectrum DI Preamp Acoustic Pedal - Image 3](https://m.media-amazon.com/images/I/71nkmZ5lf6L.jpg)
![Fishman Aura Spectrum DI Preamp Acoustic Pedal - Image 4](https://m.media-amazon.com/images/I/41juPPoPc1L.jpg)
![Fishman Aura Spectrum DI Preamp Acoustic Pedal - Image 5](https://m.media-amazon.com/images/I/41CJmfsID3L.jpg)

## Available Options

This product comes in different **Style** options.

## Questions & Answers

**Q: Can the Aura Spectrum be setup inline with the Fishman ToneDEQ?**
A: Yes, you would probably be best off running into the Aura Spectrum first, then into the ToneDEQ. The Aura models microphones, while the ToneDEQ would add some EQ functionality as well as chorus, reverb, and boost. Sounds like a great combination!

**Q: Does this include all the image or I have to buy it?**
A: cd include; all image is on cd and you have the possibility to edit your one

**Q: How would an electric bass sound thru it?**
A: I don't think it would work out too well, though.  It's basically superimposing a digital sound image of a guitar, which if matched well to your actual guitar, can help it sound more miked and natural than just piezo.  Perhaps if they made an Aura for bass with bass images to superimpose...

**Q: How would this work with a piezo pu in a doublebass ?**
A: While it would probably work as a decent DI for you, the cream of the Aura is really in the response modeling of various acoustic guitars that are programmed into it that you blend with your natural signal. I do know that you can import other mic responses to it and someone may have done some for double bass, but I think you'd be better off with a DI specifically for a bass.

## Customer Reviews

### ⭐⭐⭐⭐⭐ Magic Quack-B-Gone box
*by J***B on June 14, 2013*

I love the sound of a good acoustic guitar, but the sound of an acoustic guitar amplified with an undersaddle piezo pickup sounds terrible to me. Terrible. I've walked out on shows because of the buzzing, quacking piezo tone that sounds nothing like an acoustic guitar. A piezo pickup doesn't have a linear response. Of course it doesn't sound right, you are introducing distortion at the front end of your signal chain. Ick. Tragically, there are generations of young guitarists who seem to think that's what an acoustic guitar sounds like. Quaaaack. Some folks think this is an acoustic guitar modeler. It isn't. It will not make your Ovation sound like a Martin. It will not make your six string sound like a 12 string. There are boxes that will do such things (the Roland GR55, for example). What this box does is convert the undersaddle piezo output of an acoustic guitar to a mic'd sound of the same guitar using signal processing. The wizards in the secret Fishman laboratories hook up a guitar with its piezo pickup, and simultaneously mic the acoustic sound of the guitar. When they play the guitar, they electronically compare the mic'd signal to the piezo signal, and store the differences in an image file. When you play your piezo into the Fishman Aura Spectrum DI, it processes the piezo signal with the image to reproduce the mic'd signal. Pretty slick, huh? Science, man. Don't worry, you can still play religious music through it. I bought the Fishman Aura Spectrum DI hoping to tame the duck. It does! But it takes some time to match the image to the guitar. This can be particularly hard if an image is not available for your specific guitar. But there are enough images out there that you should be able to come close. For example, there is no image for my Luna AMD100, but after experimenting I found the Gibson Songwriter Deluxe Cutaway image sounds great on it. Even better, the different microphone models for this image have distinct personalities -- all good. The problems come when the image is mismatched with your guitar. The results can be all over the place. Some will nail the high end, but produce some strange resonances. Others will capture the low end, but produce a plinky high end. Some come tantalizingly close. In this, you can use it as an effect box if that floats your boat. For me, none of the mismatched images sound good. You sure can tell when you hit a well matched image. Boom! Magic! If all else fails, you can ship your guitar to Fishman and ask the wizards to make an image for your guitar. You can even select which microphones they will use. But it will cost you. The manual says to mix the image sound with the piezo. For me, the less piezo the better. I used to play out with a fairly high end acoustic through a magnetic pickup, and was never happy with the sound. I now play out with an inexpensive Chinese made guitar that costs about the same as the Fishman Aura Spectrum DI that is processing it. But I get a better sound than I ever did before. I've seen some folks complain about how much the unit costs. But if you can get great live sound with a modestly priced guitar through the Fishman, why expose your vintage Martin to the drooling, beer flinging hoards? This is a great technology, well integrated into a rugged, handsome, and convenient package. For me, it falls into the category of expensive, but worth it. And nothing else comes close.

### ⭐⭐⭐⭐⭐ Be patient! It can take time to find the right image!
*by B***T on May 5, 2016*

It's easy to understand how this thing could get a bad review by someone who is impatient or doesn't fully understand what it is and what it isn't. To be honest, when it first arrived I'd have to admit I didn't fully understand what it was supposed to do to my guitar sound or how - I only knew what I was *hoping* it would do. Oh I had read the reviews and the online manual and seen a bunch of videos, but even then I didn't truly know how good I could get my guitar to sound or how I could make the Spectrum do it. It's an expensive piece of gear and if it didn't immediately make your guitar sound like angels singing right out of the box its easy to imagine a less patient person looking for the receipt and packing material 15 minutes in. What I've discovered after downloading all the public images from Fishman (a MUST) and trying several dozen images and settings for maybe 3 hours is that a pristine, miked acoustic guitar sound is possible, but getting there requires a lot of experimentation. Consider the variables: Each image is going to shape the sound source according to the microphone and guitar used to create it. Some of the combinations of guitar and microphone have a *dramatically* different effect on the source sound. An important point here is, either find your exact guitar make and model OR use the image wizard tool in the software to get a list of "similar" guitars. If you find an exact match you have an advantage because you just eliminated one of the variables. If not (as in my case - I have a 1984 Alvarez Yairi dred) you must resign yourself to loading several different combinations of guitar/mic images into the Spectrum and doing a lot of A/B comparisons. Other suggestions that may help find that one "sweet spot" image: 1. Eliminate everything else in the signal path. Plug directly into the amp if possible. 2. Keep everything flat, and no effects! Very important - you want to judge the subtle nuances between images on completely uncolored sound. 3. When you find a list of candidate images with the wizard, look up the guitars online and choose the ones that match the wood species of your guitar for back, sides AND top. 4. Understand that if you're playing through an image that doesn't match your exact make & model, your guitar is another variable in the equation that will inevitably color the sound. For example, it you're playing through a Taylor image and your guitar has more depth in the lower notes than a Taylor, the resulting sound might be a bit muddy or boomy, regardless of which mic is used. The trick is to try to match the make/model of the image as closely as possible in woods and acoustics to leave the microphone as the only remaining variable affecting the sound. I've been working with a few dozen images and I'm only now beginning to zero in on some that sound really nice with my guitar. And when I say really nice I mean REALLY nice. Be patient - this is not an effects pedal or a modeler. It will take some time to get the Spectrum tweaked just right to get that beautiful, natural sound you're looking for, especially if you can't find an exact match to your guitar.

### ⭐⭐⭐⭐ A pretty good solution for live sound
*by P***E on May 27, 2014*

For reference, I have a Martin DCPA4 Rosewood, and a Cordoba GK Studio Negra, both have on-board Fishman transducers, the Cordoba also has a mic you can blend (which I bypass for the Spectrum). My amp is a Fishman Loudbox Mini. My music style is wide ranging, into blues, jazz, rock, folk/finger style, and classical. NOTE: This is what I'll call my initial review. I've been using the Spectrum now for 2 weeks and have not had a chance to work with it for recording. This review relates to playing live with my rig and my initial findings with the unit so far. Having read other reviews in researching this product, I expected the preset and fixed patches (like on the Dreadknot section) to be inferior and the on-line downloadable patches from the Aura library to be superior. So right away, I downloaded patches for my guitars, 12 for the Martin, 4 for the Nylon String. My initial plug and play result was disappointing--more on why in a moment. This ain't my first rodeo with gear and I used to do the electric thing with a full rock band, have been a house band and played out a lot so as to support my gear habit. :) So I knew it can take time to dial something in. Sure enough, I discovered that my reverb on the amp was too high, and later realized that sweeping my mids on the amp was a bad idea for the Aura. I reset the amp settings to defaults (12 o'clock for bass, mids, treble, this kind of thing, cut reverb completely out (and found I don't really need reverb most the time, just a smidge at the most for some rooms). What was surprising to me, is that so far, while I find many very usable patches, one of my favorites for my Martin is one of the Dreadknot defaults (#10). I have yet to find any that really sound more alive and real than that particular patch--it comes closest to a miked sound with the full harmonic content and detail of what that really is. Now, the D45 images work well on my Martin, and even a few Taylor Dreadknot images work well, especially if I want that more trebly sound, like to cut through a mix. Many of the Dreadknot and Jumbo images work well with my Martin DCPA4RW. All the patches help eliminate the piezo quack. Which is funny, because that piezo quack is getting more and more commonplace in modern acoustic guitar recordings, I hear it all the time now on one of my favorite XM radio stations (31, Coffee House). I get why some people today completely miss the need for an Aura--musicians today are popularizing the piezo sound! But while they make it work and make it musical (with help from sound engineers who mix the albums), a piezo has its limitations. The F1 Analog on my Martin is probably the best piezo sound I've used... But for my ear, while there's a time and place for everything under the sun, what I love and enjoy most out of the Aura is how it FEELS. In other words, the response to my own playing, hearing it come back amplified but preserving more of the dynamic harmonic content of the actual acoustic guitar sound, as it sounds out in front of the guitar, improves my playing feel (and playing energy as a result). I think at least any intermediate semi-seasoned player will understand. It's not perfect, as it is mimicking, simulating the sound (and does an amazing job), but it's not the real thing and so there are limitations, thus the 4 stars instead of 5. Is it an improvement? For me, a tone slave, YES! The onboard anti-feedback is pretty amazing, actually. Took me a while to figure out how to use it, and I still don't have every aspect down, because at times I seem to be stuck with the last settings and takes me a minute to figure out how to clear the old and rerun for the current session/room. But when it kicks in, it really finds and limits the offending frequencies in a musical way. You can actually then toggle it off/on if you like, but it is bizarre how it does affect your tone. With it off, my tone seemed to also suffer for some reason. I don't feel it suffers when the AF is active. The compressor is awesome. Very simple, very musical. I keep mine at about 2 o'clock, as it also adds playability and clarity and keeps everything nice and night sounding. Would likely turn down to 12 o'clock when amplifying at higher volumes. The blend level? I'm usually at 40-60% at relatively low volume levels. Even at 100% it's pretty good, but yes, artifacts do become more common, and this is worse with increase in volume (amplification). Again, haven't tried to record yet, but look forward to it. Just got to get my recording gear back from a friend. I set the amp to defaults and use the bass, mids and treble on the Aura. NYLON I am not pleased much with the nylon string side yet. I admittedly haven't spent near the time, but I don't find much usable there yet, and I'm dialing the mic out of the equation. Even tried it with the mic just in case. Nothing too impressive there yet. I have to go through the library and try to find something better, haven't found anything there yet that sizzles like for the Martin. The onboard piezo/mic blend capability of my Cordoba GK Negra actually work very well, but I was hoping this would have some more sonic options. So far, nothing significantly better than the onboard system sounds without the Spectrum. Sorry to report. But remember, again, I'm not too deep into the library options yet, there's much more work to do. I hope to find some images that sing as much as it does on the steel string side. Overall, it's a great tool for live sound and getting past the piezo limitations--and also giving you a great playable feel. I think it sings more with finger-picking and such, not as amazing for strumming yet, but still early in the game. I suspect it's trickier when processing 5-6 string chords, and while it's not bad with strumming, it just doesn't shine to me like it does with say 1-4 notes a time, as with fingerstyle work. I do not regret the purchase, in fact I'm very stoked!

## Frequently Bought Together

- Fishman Aura Spectrum DI Imaging Pedal with D.I.
- Fishman 910R Power Supply, 120VAC to 9VDC

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*Store origin: VN*
*Last updated: 2026-04-23*