---
product_id: 75295630
title: "Jason X"
brand: "harry manfredini"
price: "26750230₫"
currency: VND
in_stock: true
reviews_count: 6
category: "Music"
url: https://www.desertcart.vn/products/75295630-jason-x
store_origin: VN
region: Vietnam
---

# Jason X

**Brand:** harry manfredini
**Price:** 26750230₫
**Availability:** ✅ In Stock

## Quick Answers

- **What is this?** Jason X by harry manfredini
- **How much does it cost?** 26750230₫ with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.vn](https://www.desertcart.vn/products/75295630-jason-x)

## Best For

- harry manfredini enthusiasts

## Why This Product

- Trusted harry manfredini brand quality
- Free international shipping included
- Worldwide delivery with tracking
- 15-day hassle-free returns

## Description

Full description not available

## Images

![Jason X - Image 1](https://images-na.ssl-images-amazon.com/images/I/41Y83R19CVL.jpg)

## Customer Reviews

### ⭐⭐⭐⭐⭐ 







  
  
    Five Stars
  

*by M***G on 21 September 2015*









  
  
    A great soundtrack
  


### ⭐⭐⭐ 







  
  
    At least it's better than Jason Goes to Hell
  

*by I***T on 22 September 2010*









  
  
    JGTH had one of the worst, most appalling scores in history. I'll admit it had ONE nice cue at the end but Harry Manfredini ought to be ashamed of himself for 'composing' pretty much the worst sounds planet earth has ever known, especially after his excellent Hermann-esque work on parts Friday the 13th 1-6.I'm pleased to say Jason X is an improvement on that (it could hardly get worse). But it's hardly great stuff. It feels more like a sci-fi video game score from 7 years ago than it does a horror movie. Puh-lease Harry, THROW AWAY THAT SYNTHESIZER! You cannot play it! Where are the gritty but brilliant screeching strings that defined your other scores in this series? The strings here are too cleaned up and slick. Thankfully, there are a few brief hints at past Friday the 13th themes and a couple of moments that remind you of the better, more menacing cues, from the earlier films.Ironically, the tracks that work best in the score are the gentler ones with Hans Zimmer's pleasant guitar strummings and a nice, calming feel. It feels futuristic in the same vain as Jerry Goldsmith's score to Total Recall.Hey, Varese Sarabande, how about releasing Manfredini's other scores to this franchise? They were far superior and often completely mental.Jason X is low quality stuff from a composer who can do better with an orchestra than he can with a Yahama. Pick it up cheap as it does have some slight merit and niceness to it. Just don't expect anything powerful or chilling, which is what it really should have been.
  


### ⭐⭐⭐⭐⭐ 







  
  
    A different musical direction for a different kind of Friday the 13th
  

*by J***E on 29 September 2012*









  
  
    Harry Manfredini, the composer for nearly every Friday the 13th film to date (the sole exceptions being Part VIII: Jason Takes Manhattan, Freddy vs. Jason, and the remake, which were scored by Fred Molin, Greame Revell, and Steve Jablonsky, respectively), returns to the series with Jason X, the tenth installment in the series.All of the staple horror franchises, like Nightmare on Elm Street, Halloween, and the like, hcan attribute many things to their longevity, and music plays a big part of it.  For Halloween, it's the slow, bass-heavy strings accompanied by hard-hitting, dissonant piano melodies.  For Elm Street, it's the orchestra music mixed in with synthesixed sounds.  The Friday the 13th scores are known for their sharp, fast moving string sections and shrill sounds to create tension and terror.  But with the propulsion of Jason Voorhees into the 21st Century (well, 25th century, I guess) Manfredini decided to take the series' music in the same direction.To fully enjoy this soundtrack, one must understand this above all else: Jason X is not a horror film in the traditional sense.  It is more on the side of sci-fi; and that is where the music comes from.  The film is scored more akin to the science fiction pictures we've come to see more and more of as the years wear on.  Gone are the haunting melodies that Manfredini made famous over the course of the series.  In it's place are more upbeat tunes for a small chunk of the album, making use of lighter instruments like acoustic guitars and flutes on tracks like "Nano Ant Technology".  And some other tunes, like "KM Kicks Butt" use electric guitars to add to the futuristic, sci-fi feel of the music.But the soundtrack is not without the haunting pieces, either.  "Opening Credits" is a real testament to the album's haunting nature, while "The Cryo-ing Game" is a callback to the early Friday scores while hinting at the sci-fi sound to come.  "Virtual Crystal Lake" is the perfect blend of this album's futuristic sound with classic Manfredini/Friday the 13th.  That track alone is enough to judge this album as good.The ideal companion for the film, Harry Manfredini is at the top of his game in crafting a superb sci-fi infused film score that's a great listen when reading some Friday the 13th literature.
  


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*Product available on Desertcart Vietnam*
*Store origin: VN*
*Last updated: 2026-02-20*