SHURE シュア SM35-XLR パフォーマンス用 ヘッドセット コンデンサーマイクロホン インラインRPM400プリアンプ （XLR接続変換用）付属 【国内正規品/メーカー保証2年】

BRIDGE CAST Xで使用してます ヒソヒソ声でもキチンと拾ってくれます。 ただ、鼻息も入りやすいので、マイク位置の調整や接続機器の 設定で感度やノイズゲートを設定する必要があります。

画像ではヘッドトップに引っ掛けるようなイメージを持つかもしれませんが実際には写真と真逆で耳に挟んで使うようなマイクになります。この手のマイクはダイナミックマイクしかなかったのでコンデンサに初めて手を出しましたが集音性能は抜群かと思います。特にインターフェースでエフェクトをかける際には的確な音をつかんでくれるので非常に助かっています。音は若干籠りがちな中低音にフォーカスしている気がします。シャリシャリ感がないのでノイズが乗りにくいです。ただしフィードバックでヘッドホンに返す場合によっては電源ノイズが乗っかります。これはコンデンサマイクの特徴の一つなので防ぎようはないですね。トータルとしてよい商品でした。

欲を言えば、単体でミュート可能だとよかったなぁと感じました。しかしながらそれ以外、プロ仕様ではありますがとても利用価値が高い製品です。

ピンマイクとしての音周りだけで評価すると★5なのですが… 如何せん耐久性が低すぎる、何かしらすぐ不具合で壊れがちなのでそこら辺覚悟できる、もしくはピンマイクで音が良いもの、でしたら間違いなくおすすめできると思います。

ローランドキューブストリートにファンタム電源機能は無いが それを知らなかったため マイクから全く音が出ない… ファンタム電源機能が必要だとは知りませんでした。 48v用でいいのかメーカーへ確認中 あと商品の詳細に注意事項が書かれてないようだ ネットで買うのだから書かれて る情報はとても大事な事たと思います 知っているのが当たり前でなく自分みたいな人間もいるのでよろしくお願いします。 安い買い物でほないので。 それとワイヤレスということで 機動力を期待したが結局付属品が多いです。 マイクーケーブルーXLR変換器ーファンタム電源ユニットーアンプ…という構成になるのか？ XLR変換器にスイッチ入り切りで内蔵されていればよかったのにと思いました 商品の今後のアップデートに期待します。

南米のアンデスのフォルクローレ音楽です。 ケーナとサンポーニャの笛を使うのですが、スタンドマイクでは動きが制限されるのでヘッドマイクを試してみることにしました。 メーカーお勧めの配置は左ホッペの口元当たりですが、サンポーニャはマイクに干渉するので 鼻の高さに置かないといけません。 ブレスをあまり拾わない位置をさがしてセットできました。 メーカーの指定よりマイクが離れてしまってて最高の音質で拾っていないかもしれませんが、クリアな音がでていると思います。 課題はヘッドの固定関係です。私は少し頭が小さいのかしっくりとしません。 強く曲げていいものか心配もあるので安定させるのにどうしたものかと、今は考えているところです。

「XLR用途向けに、SM35-XLR(オプション)にはインラインRPM626プリアンプが含まれています。 」の記事と、まるで電池が入りそうな外観のRPM626の画像を見て、内部電源でも使えるプリアンプと思い込み注文。 実際には電池が入る構造ではなく、ファンタム電源でしか動かない仕様であり、よく行くスタジオのミキサーにつないで使うには別途電源が必要だった。 結局別途電源を購入して使っているものの、余計なものまで持ち運ばねばならず、電池とファンタム電源を自動切り替えできる他社製品にすればよかったと激しく後悔している。 ちゃんと調べなかったのもよくないとは思うが（メーカーサイトにも詳しい仕様や説明は乗ってなかった）、「RPM626はファンタム電源専用」とかどこかに書いてあれば購入しなかった。 ただし、音質そのものは良いと思う。

shure sm86と音質は似ていますが、口に近接した位置で収音するので少し「こもった」音がします。多分、ヘッドウォーン式マイクの特徴でしょう。周辺の音はほとんど拾いませんので、その点はとても良いです。

En línea de calidad de a marca. Sólido y con uy buena resolución de sonido. Lo he utilizado ya en dos bolos y ha funcionado muy bien. La sujeción a la cabeza es óptima y como he comentado el sonido muy bueno Satisfecho con lacompra

Some of the reviews had me a bit nervous about ordering this -- somebody didn't like the sound. But, really, I couldn't be happier with it. Its a phantom power microphone, but that is fine with me because I run it to my Peavey Mixer which has a Phantom Power Button (at first I thought I blew it up because when I first hit the phantom power button, the mic came on loud and then dead silence. Well, I just didn't push the Peavey button down far enough and it came right back up). Anyway, mics that run off of phantom power seem to have a great deal more gain than those that don't. So this SM35 has a lot of gain to play with. And the response was crystal clear. I don't know what that other reviewer was thinking of, unless he just had a muddy setup that he was running into. another thing I like about this SM35 is that you can wear it in several ways. I tried with the loop around my neck and that seems to work. But I now wear it on my head, along with my headphones... yes, it may be crowded up there on top of my head, but I have no problem wearing both. I use the SM35 in my Music Practice, which can go on for hours, and so, yes, the little adjustable pressure pad on the end of the head loop can begin to dig in and get uncomfortable, but then I found that I can cope simply by moving the placement of the SM35 off to the side or a bit up or down, and then one can compensate by repositioning the adjustable boom going to the microphone element (my usual First Position is to place the adjustable pad just above the top of my left ear and to position the right side of the Head Loop to the top of my cheek bone just in front of my right ear. When, after about an hour, I feel the adjustable pad on the left 'digging in' and causing some discomfort, then I lift it up in position by less than an inch while pulling the right side of the Boom just under my cheek bone -- very comfy! And that usually lasts me until I'm so popped that I drop). Oh, the little cord that comes off the head boom section from its side was tweaking my ear, and so I used a loop of string to fasten that little cord to the top middle of the boom from where it can fall down my back without bumping into my ear. Not enough of a problem to deduct a Star. Now, moving on ... As I said, the mic has a lot of gain to play with, and so you do not have to have it very close to your mouth. I position it off to the side to keep from picking up Nose Blast. Even with the Breeze Protector on the end covering the microphone element, if the breath exhalation coming from out of your nose is in line with that microphone element, it will come through loud and clear, like somebody 'blowing' into a microphone. But I have no problem bending the element out of the way of my Nose Snort and still being able to adjust the microphone element boom for good singing quality. Now, if you are wondering whether you should get a head boom microphone like this in the first place, but you are resisting because you fear not having enough dynamic control over the microphone for studio work or for sensitive stage performances, well, don't worry about it. When you need the kind of control that you would have with a hand held microphone, well, its easy enough to reach up and grab the flexible-adjustable boom and to work it like a hand microphone. I've done it. some songs require a full baritone (covering Leonard Cohen or Johnny Cash) and I am more like a tenor, and so I pull the microphone in real close and do a breathy baritone, and when I'm done, I just instantly twist it back to where it was before. No Problem. Oh, now that I think about it, there is something to get used to. whenever you decide to walk off your 'spot' you have to disconnect. I am already used to taking my Head Phones off, so it isn't much of a problem remembering about the head boom mic. With the SM35, you simply disconnect from the XLR connector. Everything else can stay in place. Oh, and there is the additional setup required for using the SM35 instead of just keeping a Microphone on a Stand somewhere. There is something of a procedure for putting it on. That involves putting the head boom on your head, and then running the light cord guide clip to the back of your shirt collar or wherever, and then plugging that light cord into the little but heavy preamp (bullet proof heavy -- that little thing weighs a lot. If you were to catch a cat fish half that heavy, you'd take a picture of it)that clips onto your belt or waistband (if you practice in your pajamas or underwear), and then finally you plug in your XLR Cable (not included) into that. It takes a bit more than a minute. Taking it all the way off, requires the reverse process. Now, I recommend disconnecting the little but heavy preamp from the cord and storing it separately, because, well if you decide to store the head boom section with its light cord by hanging it somewhere, well, that dangling preamp would be quite a pull on the little cord all the time. You know I was wondering why the little preamp is so heavy, and I decided to guess that the Engineers at Shure were getting Line Hum Noise from the earlier prototypes and just kept adding metal shielding until all the Electronic Noise Interference went away. They did a good job, because electronically, that SM35 is as silent as the grave, adding no additional noise to whatever is in your Sound System already. So, yes, going from regular Microphones to this head boom will require a few additional duties and require some small additional increments of time. But the upside of having a Head Boom Microphone is that, while performing, IT IS ALWAYS THERE and ready to go. Being a Musician with a regular mic on a mic stand, well, if you are playing an instrument, it is REALLY difficult to position for both your instrument AND the mic stand, or the microphone boom or whatever. With a regular microphone, you always have to watch it to make sure it doesn't creep away, or that you don't bump into it. And all while you are trying to play an instrument. So nothing is ever just right -- you are either somewhat ignoring your Instrument, or you are somewhat ignoring the microphone. But this head boom microphone is ALWAYS THERE and you can set it up for just the right gain and position for 98% of the singing you will do, and it is so unobtrusive that it is easy to forget you're wearing it. After working with it for a month now, I can't really understand why so many performing musicians still use those 'ordinary' microphones ... they have never worked with Head Boom microphones and simply take all of the aggravations of the ordinary microphones for granted. Oh, another thing! How many performing musicians have gone on break only to come back and find that their microphones have been stolen... even entire mic stands disappear! Well, let's see if anybody can steal a boom microphone right off the top of your head! anyway, no buyer's remorse here.

The quality i will say is the most beautiful part, you can blindly go for this mic, firstly i was aftaid to order cause of not getting the genuine product bit ended buying this product and its totally worth of every penny.

Excelente micrófono, eliminó mis problemas de feedback en el escenario!

Excellent mic easy to set up and comfortable. Sounds great