---
product_id: 58517455
title: "Korg Volca Mix Analogue Perfomance Mixer Four Channel w/Powerful Master Chain"
brand: "korg"
price: "6989925₫"
currency: VND
in_stock: true
reviews_count: 8
category: "Korg"
url: https://www.desertcart.vn/products/58517455-korg-volca-mix-analogue-perfomance-mixer-four-channel-w-powerful
store_origin: VN
region: Vietnam
---

# DC out powers 3 Volcas 4-channel analog mixer Master chain with compressor & sidechain Korg Volca Mix Analogue Perfomance Mixer Four Channel w/Powerful Master Chain

**Brand:** korg
**Price:** 6989925₫
**Availability:** ✅ In Stock

## Summary

> 🎛️ Master your Volca live setup with pro analog power and effortless control!

## Quick Answers

- **What is this?** Korg Volca Mix Analogue Perfomance Mixer Four Channel w/Powerful Master Chain by korg
- **How much does it cost?** 6989925₫ with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.vn](https://www.desertcart.vn/products/58517455-korg-volca-mix-analogue-perfomance-mixer-four-channel-w-powerful)

## Best For

- korg enthusiasts

## Why This Product

- Trusted korg brand quality
- Free international shipping included
- Worldwide delivery with tracking
- 15-day hassle-free returns

## Key Features

- • **Compact & Rugged Design:** Lightweight aluminum chassis with built-in stereo speakers delivers portable power and durability for every gig or studio session.
- • **Plug & Play Versatility:** Two mono + one stereo mini-jack inputs plus RCA outputs and headphone monitoring for effortless integration and on-stage confidence.
- • **Precision Analog Control:** Four vertical volume faders and crisp Lo/Hi cut filters let you sculpt your sound live with surgical accuracy.
- • **Pro-Grade Master Effects:** All-analog master chain includes expander, dynamic compressor, and sidechain effect to add that polished, club-ready punch.
- • **Power Your Setup Seamlessly:** Built-in DC output powers up to three Volca units simultaneously—ditch extra adapters and focus on your performance.

## Overview

The Korg Volca Mix is a compact, four-channel analog performance mixer designed specifically for live setups with Korg Volca devices. Featuring precise volume faders, Lo/Hi cut filters, and a powerful all-analog master effects chain—including expander, compressor, and sidechain—this mixer elevates your sound with professional polish. Its DC output connectors power up to three Volca units simultaneously, streamlining your stage setup. With versatile mini-jack inputs, RCA outputs, headphone monitoring, and built-in stereo speakers housed in a durable aluminum body, the Volca Mix is the ultimate hub for dynamic, portable, and synchronized Volca performances.

## Description

Product Description Volta mix is the long-awaited mixer for the volca series. The volca mix is a four-channel analogue performance mixer that lets you construct a live setup combining multiple volca units. Volume faders are easy to control, plus crisp-sounding LO/Hi cut filters, and a master chain that radically transforms the sound. In addition to the sync function found on all volcas, there are also DC output connectors that can supply power for up to three volca units. Numerous functions to facilitate your on-stage volca performances have been packed into a high-quality aluminum-paneled body, reminiscent of a high-end DJ mixer. The volca mix will unlock the maximum potential of the volca series. From the Manufacturer Compact multi-function four-channel mixer. An analog mixer for performance. The volca mix is a four-channel analog mixer with an intuitive interface and plenty of connectivity. It provides two mono inputs and one stereo input, perfect for connecting three volca units. The jacks are mini-jacks, allowing you to make connections with just one stereo mini-cable from the headphone out of each volca unit. The channel volumes use vertical faders that allow precise control. The gain can be boosted to adjust the mix balance, and mute buttons are also provided. Each channel is also equipped with a LO/HI CUT filter that lets you control the low and high frequency ranges with a single knob. The pristine, natural-sounding filters that you expect from analog gear give you complete control over the character of your sound. Output and monitor capabilities for use on stage, plus stereo speakers for maximum portability. The output section provides RCA stereo line outputs to ensure stable connection. There’s a master volume with LED VU meter for adjusting the output level, as well as a headphone output that can be used simultaneously with the line output, providing a reliable monitoring environment on stage. Speakers are also built-in for excellent portability. The stereo speakers are placed at both sides of the front, and while compact, deliver SPL levels that are even greater than the built-in speakers on previous volca units. Powerful effects and control Powerful master chain. The volca mix is equipped with master effects powered by all-analog circuitry. In addition to an expander that broadens a mono source into a stereo sound image, there’s a dynamic range compressor that compresses the high-frequency range according to level changes of the low-frequency region, as well as a side chain effect that’s indispensable for dance music. Use these to dynamically vary the mix, adding a professional feel to live performances with the volca. Connect an external effect unit for further variety. The volca mix provides a stereo mini-jack send out and AUX in jack, and send level knobs for each channel. This allows you to use it with an external effect unit in a send/return connection. When used in conjunction with a unit such as the mini kaoss pad 2S, you can also enhance your live performances using standard effects such as reverb, delay, filter, and break. The AUX in jack can also be used as a stereo input channel for a fourth volca unit, an iOS app, or any other gadget, instrument, or device. As the master of your volca live setup. The volca mix features an analog sync out jack that can easily be connected to many pieces of KORG gear for tempo sync, and also a play button and tempo knob to control that sync signal. By using the volca mix as the sync master device of your live setup, you can easily enhance your live performance, such as simultaneously playing sequences from multiple synced units, and combining mute and volume control to create performances that use your volca units in even more ingenious ways. Unlocks even more potential out of the volca series DC out lets you use three volca units simultaneously. Three VOLCA DC OUT jacks are provided, and by connecting the included DC-DC cables you can supply power for up to three volca units. Even when using multiple volca units on stage, you won’t need to bother with adapters or bring another power strip; just concentrate on your performance with a streamlined setup and breakdown. A rich variety of included accessories. The volca mix comes with AC adapter, DC-DC cables, and audio cables included. Right out of the box, you’ll be ready to put together a complete volca live setup.

Review: The Little Bass Synth I Didn't Know I Needed - This was an impulse buy on desertcart Warehouse (AW) on a bitterly cold night in early February, an evening when I had had a few too many glasses of wine. I was vaguely aware of the Korg Volca series, in that I had seen a few negative or neutral comments about them on various music forums, but I hadn't listened to any audio demos or watched any YouTube demonstration videos. Honestly, these tiny boxes had never appealed, as I like my synths with keys or something I can put in a rack and MIDI up to my rig. So when this popped up on AW in a "Used-Acceptable condition for what seemed to be nearly 50% off the retail price, I thought, well, if I don't like it, I can sell it on for a profit. I'm glad I did. I love this little box, and it looked absolutely brand new in the box when it arrived. Go figure. I like it more than my Pro-1 monosynth -- I think the Volca Bass sounds better than most of my keyboards, with the exception of my Korg Radias. I mean to say, the Volca Bass is fat sounding, and oh!!! it has that distorted squeal that is very similar to a Roland TB-303 (or the Behringer clone). The filter resonance (peak knob) on this wee thing self-oscillates, so if you're looking to do a bit of Daft Punk or Chemical Brothers-style late 90s and early 00s techno work, this little guy can do it, and do it very nicely. Let's get the cons out of the way: The speaker is rubbish. I get why Korg put it there, but the speaker doesn't have the range to actually hear what all the glorious goodness this synth can make. Tip: Use headphones if you're going portable with this. Otherwise, hook it up to your mixer / monitoring system / amp. The MIDI implementation is good, but you can't modulate the filter via MIDI. What???!!! Why not, Korg? What are you thinking? Sigh... So, you must use the Volca Bass's filter knob in real-time. Also, no MIDI out, but it is possible to modify the unit so that it can do MIDI out, so at least there's that option for the hardcore modders. Pattern storage is limited to 8 memory slots. You will use those up quickly, and then you'll have to decide on which patterns to get rid of for later sessions. Also, there is no pattern chaining, so you must manually change patterns in real time, and you will need to do that in perfect sync as there is also no "wait to change pattern" functionality. If you're sequencing a pattern, know that the filter knob adjustments do not get recorded. The octave knob's movements will be recorded, however. On the other hand, it is possible to create 24 patterns when in individual three-osc mode, and with a bit of clever muting, you can probably do quite a bit with that. The smaller, clear knobs ... it's sometimes difficult to see what their positions are. Also, when I reach for the tempo or the EG attack knobs at the top center/left of the unit, I often accidentally brush the big filter knob. No noise oscillator... that's a shame. But not a deal breaker... So them's me cons. On the the pros: Three very stable analog VCOs (digitally tuned for stability, but these bad boys are definitely analog oscillators), any of which can be a Saw or Square wave. You have the options of three independent VCOs, two stacked together, or all three stacked together. There is also a tuning knob for each VCO, so you're able to create a very thick and fat super saw sound. Note range can be adjusted per voice but only if you are sequencing a pattern. Otherwise, all three VCOs will change depending on where the octave knob is set. The playing surface (ribbon?) is really responsive to touch and it's fun to play and slide around on it, but it is important to note that the playing surface is not velocity sensitive. The Volca Bass responds to velocity when connected to MIDI controller, though. Keep that in mind if you want to get the most you can out of this tiny box of joy. It took me a few minutes to work out what the deal was with the black and gold "keys." Tip: The gold keys are the black keys on a keyboard. The rest are the white keys. The lowest note on the surface is an "A". Maybe an "E" would have been better, which is the lowest note on a bass guitar, but from keyboard perspective I suppose it makes sense (an 88-key keyboard's first note is an A.) The filter on this insanely good. I read somewhere that it's based on a Korg 700s filter. I dunno if it is or not. And I don't care. I really like a lot. The envelope seems limited, but it actually has two modes and it is perfectly serviceable. One mode with no sustain segment, just an attack and delay, which is superb for punchy bass tones, and the second mode is with a sustain feature, which is great for more synthy sounds and self-oscillating the filter rez. These modes are switched by holding down the function button and pressing the number 11 key marked Sustain. Pattern sequencing is quick, if not a bit imprecise when doing it in real time. There is some sort of quantization going on, which can be distressing if your timing is off. I much prefer to sequence a pattern in Step Rec mode. Speaking of modes, the Active Step mode is useful and fun. At the moment, I tend to use a Beat Step Pro to sequence more complex patterns. Other times, I will set up a zone on my workstation to play the Volca Bass via MIDI in real time. I'll even swipe at the playing surface from time to time when playing other synths. You'll definitely want to put some effects in the signal chain, such as pedals or some other multi-fx unit, as the dry sound may be a bit in your face. But even dry, it can sit in a mix at low volumes. All in all, I'm really impressed by the sound of the Volca Bass. I had no idea that I was missing this in my life, and I'm glad I bought it. I'm now considering selling my Pro-1, as I have had that turned off since the beginning of February when the Volca arrived and I don't need two monosynths which cover the same sonic terrority. For its size, it's a little powerhouse in a tiny, tiny box. Could the UI (knobs), memory storage and MIDI implementation be improved? Sure, those could be better, but if you can snag one of these for $100 or less, it's definitely worth it.
Review: Did I need it, NO, Did I want it, YES. So Very worth It! - Ok, here’s my deal. I’m a long time retired Recording Engineer, Recording Studio Owner, Drummer, Synth Owner and Programmer since 1972. After being away from it for so many years, I recently decided to build a nice small Music/Sound Production Workstation Studio in our home’s Music Room. I began this in January 2022 starting out small but it has really grown over the past 18 months. OK, for me Synthesizers are an addiction, especially now, that so many lower cost, quality options are available like never before. I already own the Korg Volca FM 2, mainly because of it’s Yamaha DX7 Heritage and the ability to not only download and install all of the Original DX7 sounds but also the slew of other available presets and it’’s small form factor. I’ve been looking at the Volca Samples for a while and when I saw that the Volca Sample now had version 2 with a USB Interface and complimentary Sample Librarian to let me manage the samples and patterns loaded on the Volca Sample2 I was intrigued. Did I need one, NO, did I want one, well yes, so it was an impulse purchase. Was it worth it YES! Very simply stated, it’s just a fun machine, full of features, quality sounds and a blast to program and just play with. The overall build quality and sound on all of the Korg Volcas is decent, especially for the low cost, (I’m not carrying it around all over the place, it just sits nicely on a stand on my workstation). There’s just so much this little Sample Box/Sequencer can do. It’s fairly straightforward to program and if you need some help there are a few very good Videos out there on YouTube. It’s a great addition to my “Synth Arsenal”

## Features

- Four-channel analog performance mixer designed for live setups with Volca series devices
- Volume faders and Lo/Hi cut filters for precise sound control and shaping
- Master chain with expander, dynamic range compressor, and side chain effect for professional sound
- Two mono inputs and one stereo input for connecting multiple Volca units
- Mini-jack connections allow for easy setup with Volca devices
- Built-in stereo speakers for portability and immediate sound output
- RCA stereo line outputs for stable connections to external audio systems
- Headphone output for reliable monitoring during performances
- Lightweight and durable aluminum body for robustness on stage
- DC output connectors to power up to three Volca units simultaneously

## Technical Specifications

| Specification | Value |
|---------------|-------|
| ASIN | B079412CF2 |
| Best Sellers Rank | #1,196 in Musical Instruments ( See Top 100 in Musical Instruments ) #66 in Unpowered Recording Mixers |
| Body Material | Plastic |
| Brand | KORG |
| Brand Name | KORG |
| Connector Type | mini-jack, RCA |
| Customer Reviews | 4.6 out of 5 stars 4,442 Reviews |
| Global Trade Identification Number | 04959112175778 |
| Included Components | 3 - Audio cables, 3 - DC-DC cables, AC Adapter |
| Item Dimensions | 12 x 6 x 2.8 inches |
| Item Height | 2.8 inches |
| Item Type Name | Mixer - Unpowered |
| Item Weight | 0.59 Kilograms |
| Item dimensions L x W x H | 12 x 6 x 2.8 inches |
| Manufacturer | Korg |
| Material | Aluminum |
| Model Name | VOLCAMIX |
| Model Number | VOLCAMIX |
| Warranty Description | 1 year manufacturer. |

## Product Details

- **Brand:** KORG
- **Material:** Aluminum
- **Model Name:** VOLCAMIX
- **Item dimensions L x W x H:** 12 x 6 x 2.8 inches
- **Item Weight:** 0.59 Kilograms

## Images

![Korg Volca Mix Analogue Perfomance Mixer Four Channel w/Powerful Master Chain - Image 1](https://m.media-amazon.com/images/I/7174VyxjL0L.jpg)
![Korg Volca Mix Analogue Perfomance Mixer Four Channel w/Powerful Master Chain - Image 2](https://m.media-amazon.com/images/I/810Gmcadm9L.jpg)
![Korg Volca Mix Analogue Perfomance Mixer Four Channel w/Powerful Master Chain - Image 3](https://m.media-amazon.com/images/I/81xj6rDuRIL.jpg)

## Available Options

This product comes in different **Style** options.

## Customer Reviews

### ⭐⭐⭐⭐⭐ The Little Bass Synth I Didn't Know I Needed
*by J***. on March 5, 2022*

This was an impulse buy on Amazon Warehouse (AW) on a bitterly cold night in early February, an evening when I had had a few too many glasses of wine. I was vaguely aware of the Korg Volca series, in that I had seen a few negative or neutral comments about them on various music forums, but I hadn't listened to any audio demos or watched any YouTube demonstration videos. Honestly, these tiny boxes had never appealed, as I like my synths with keys or something I can put in a rack and MIDI up to my rig. So when this popped up on AW in a "Used-Acceptable condition for what seemed to be nearly 50% off the retail price, I thought, well, if I don't like it, I can sell it on for a profit. I'm glad I did. I love this little box, and it looked absolutely brand new in the box when it arrived. Go figure. I like it more than my Pro-1 monosynth -- I think the Volca Bass sounds better than most of my keyboards, with the exception of my Korg Radias. I mean to say, the Volca Bass is fat sounding, and oh!!! it has that distorted squeal that is very similar to a Roland TB-303 (or the Behringer clone). The filter resonance (peak knob) on this wee thing self-oscillates, so if you're looking to do a bit of Daft Punk or Chemical Brothers-style late 90s and early 00s techno work, this little guy can do it, and do it very nicely. Let's get the cons out of the way: The speaker is rubbish. I get why Korg put it there, but the speaker doesn't have the range to actually hear what all the glorious goodness this synth can make. Tip: Use headphones if you're going portable with this. Otherwise, hook it up to your mixer / monitoring system / amp. The MIDI implementation is good, but you can't modulate the filter via MIDI. What???!!! Why not, Korg? What are you thinking? Sigh... So, you must use the Volca Bass's filter knob in real-time. Also, no MIDI out, but it is possible to modify the unit so that it can do MIDI out, so at least there's that option for the hardcore modders. Pattern storage is limited to 8 memory slots. You will use those up quickly, and then you'll have to decide on which patterns to get rid of for later sessions. Also, there is no pattern chaining, so you must manually change patterns in real time, and you will need to do that in perfect sync as there is also no "wait to change pattern" functionality. If you're sequencing a pattern, know that the filter knob adjustments do not get recorded. The octave knob's movements will be recorded, however. On the other hand, it is possible to create 24 patterns when in individual three-osc mode, and with a bit of clever muting, you can probably do quite a bit with that. The smaller, clear knobs ... it's sometimes difficult to see what their positions are. Also, when I reach for the tempo or the EG attack knobs at the top center/left of the unit, I often accidentally brush the big filter knob. No noise oscillator... that's a shame. But not a deal breaker... So them's me cons. On the the pros: Three very stable analog VCOs (digitally tuned for stability, but these bad boys are definitely analog oscillators), any of which can be a Saw or Square wave. You have the options of three independent VCOs, two stacked together, or all three stacked together. There is also a tuning knob for each VCO, so you're able to create a very thick and fat super saw sound. Note range can be adjusted per voice but only if you are sequencing a pattern. Otherwise, all three VCOs will change depending on where the octave knob is set. The playing surface (ribbon?) is really responsive to touch and it's fun to play and slide around on it, but it is important to note that the playing surface is not velocity sensitive. The Volca Bass responds to velocity when connected to MIDI controller, though. Keep that in mind if you want to get the most you can out of this tiny box of joy. It took me a few minutes to work out what the deal was with the black and gold "keys." Tip: The gold keys are the black keys on a keyboard. The rest are the white keys. The lowest note on the surface is an "A". Maybe an "E" would have been better, which is the lowest note on a bass guitar, but from keyboard perspective I suppose it makes sense (an 88-key keyboard's first note is an A.) The filter on this insanely good. I read somewhere that it's based on a Korg 700s filter. I dunno if it is or not. And I don't care. I really like a lot. The envelope seems limited, but it actually has two modes and it is perfectly serviceable. One mode with no sustain segment, just an attack and delay, which is superb for punchy bass tones, and the second mode is with a sustain feature, which is great for more synthy sounds and self-oscillating the filter rez. These modes are switched by holding down the function button and pressing the number 11 key marked Sustain. Pattern sequencing is quick, if not a bit imprecise when doing it in real time. There is some sort of quantization going on, which can be distressing if your timing is off. I much prefer to sequence a pattern in Step Rec mode. Speaking of modes, the Active Step mode is useful and fun. At the moment, I tend to use a Beat Step Pro to sequence more complex patterns. Other times, I will set up a zone on my workstation to play the Volca Bass via MIDI in real time. I'll even swipe at the playing surface from time to time when playing other synths. You'll definitely want to put some effects in the signal chain, such as pedals or some other multi-fx unit, as the dry sound may be a bit in your face. But even dry, it can sit in a mix at low volumes. All in all, I'm really impressed by the sound of the Volca Bass. I had no idea that I was missing this in my life, and I'm glad I bought it. I'm now considering selling my Pro-1, as I have had that turned off since the beginning of February when the Volca arrived and I don't need two monosynths which cover the same sonic terrority. For its size, it's a little powerhouse in a tiny, tiny box. Could the UI (knobs), memory storage and MIDI implementation be improved? Sure, those could be better, but if you can snag one of these for $100 or less, it's definitely worth it.

### ⭐⭐⭐⭐⭐ Did I need it, NO, Did I want it, YES. So Very worth It!
*by F***N on July 14, 2023*

Ok, here’s my deal. I’m a long time retired Recording Engineer, Recording Studio Owner, Drummer, Synth Owner and Programmer since 1972. After being away from it for so many years, I recently decided to build a nice small Music/Sound Production Workstation Studio in our home’s Music Room. I began this in January 2022 starting out small but it has really grown over the past 18 months. OK, for me Synthesizers are an addiction, especially now, that so many lower cost, quality options are available like never before. I already own the Korg Volca FM 2, mainly because of it’s Yamaha DX7 Heritage and the ability to not only download and install all of the Original DX7 sounds but also the slew of other available presets and it’’s small form factor. I’ve been looking at the Volca Samples for a while and when I saw that the Volca Sample now had version 2 with a USB Interface and complimentary Sample Librarian to let me manage the samples and patterns loaded on the Volca Sample2 I was intrigued. Did I need one, NO, did I want one, well yes, so it was an impulse purchase. Was it worth it YES! Very simply stated, it’s just a fun machine, full of features, quality sounds and a blast to program and just play with. The overall build quality and sound on all of the Korg Volcas is decent, especially for the low cost, (I’m not carrying it around all over the place, it just sits nicely on a stand on my workstation). There’s just so much this little Sample Box/Sequencer can do. It’s fairly straightforward to program and if you need some help there are a few very good Videos out there on YouTube. It’s a great addition to my “Synth Arsenal”

### ⭐⭐⭐⭐⭐ Great metronome
*by L***N on October 24, 2024*

Not a standout for composition, but fun for practice or jamming. It has a few limitations which stand out to me. The compact interface is always usable, but often awkward. Creating sounds is easy but adjusting them is tedious. Liberal use must be made of a hash in the LCD which marks the saved position of a setting, which is not trivial when using micro-potentiometers assigned to a resolution of 255 in a nested interface. This also obligates you to operate the controls deftly and save a kit after each adjustment to prevent your settings from drifting widely and mysteriously. You get 16 triggers/steps per pattern and 16 pattern slots, which feels claustrophobic. Patterns can be chained to create more complex progressions but with only 16 sets of 16 triggers and no data I/O, memory management is an issue. For instance, creating a 4-bar drum line with 16th-note resolution and a consistent fill on the 4th bar would generally use a quarter of the memory and require you to select the 4 bars sequentially each time you turn on the unit. Then, that memory is consumed until you delete the progression forever. Kits and patterns are marked only by their slot number. The gold-side "Send" physical modeling controls are impressive but are adjustable only per full kit, which in practice limits them to either trippy delays/reverbs and performance effects or to use on only one or a few drums. Time signature can be fudged, but only within extreme limits. This unit is mostly practical for us because it allows us to avoid computers in a few situations during jamming or practice. Far superior performance in every respect can be had from free or trivially cheap software on any phone, tablet, or PC; judged as a component of a modular setup and especially in the context of Volca as a system, I find it useful and likeable, but unwieldy. The sound generator is excellent only in its simplicity, and the sequencer is inflexible. Integrating this unit's stark limitations into a multi-hundred-dollar instrument could be fun but does not seem efficient or practical. However, we are very happy with it. We are not using it as a musical instrument, but as a configurable metronome / backing track. It feels more personal, predictable and charismatic than an automatic drummer, and less sterile than a metronome. The sound generator is a minimalist masterpiece, with only enough moving parts to create a wide array of convincing or pleasing drum sounds and effects. Probability and slicing controls push this Korg over the finish line between toy and tool, but no further.

## Frequently Bought Together

- Korg Volca Mix Analogue Perfomance Mixer Four Channel w/Powerful Master Chain
- Sequenz Volca Rack - Stand (2x2)

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*Product available on Desertcart Vietnam*
*Store origin: VN*
*Last updated: 2026-03-01*