Lust For Life

Album came in great condition, no damage or wrinkles at the corner

Iconic album, so many great songs and features, and ofc, lana, get it, now

i added this to my cd collection and i love it. lana always has good albums, happy to have this one along with her others.

i love this album and was glad it came in great condition. the cd works like a charm and comes in a typical plastic cd case so it’ll hold out. totally recommend!

I admit that I it was only after around October 2012 that I started to get into listening to more of Lana Del Rey’s music and was entranced to hear more after hearing her Ride song. Since then, I am fortunate to have purchased her Born to Die-The Paradise Deluxe Collection, Ultraviolence, and Honeymoon music collection, and now the Lust For Life by Lana Del Rey music collection. A multiple number of songs in this music collection have a vintage pop 60s feel mixed with chillout and some elements of electronic and lounge. Listening to this music collection gives a calming vibe of listening to it while relaxing outside on a sunny day andor just relaxing while taking it easy on an off day from work though this music collection could also obviously be enjoyed on more occasions than what I just wrote. I would have to say that Lust For Life (feat the Weeknd), Cherry, Summer Bummer (feat. A$AP Rocky and Playboi Carti), Groupie Love (feat. A$AP Rocky), and Coachella-Woodstock In My Mind are some of the songs to listen to right away though I would obviously check out other music videos of other songs from this collection that are featured as there is something for many people on this collection. I would say this music collection of Lust For Life by Lana Del Rey is a sensational music collection to get if you have enjoyed andor listened to Blue Jeans,Burning Desire, andor Young And Beautiful (for the 2013 Great Gatsby soundtrack) (as some of the songs on this Lust For Life Collection have creative music resonances of those songs in an astonishing way).

Love love, album came in perfect,.

Each of her albums are relatable but completely different. I love her evolution. from Born to die and ultraviolence... Lust for Life. (I personally enjoyed honeymoon but I understand those who didn't find it that interesting.) She's opened up in recent interviews when she talks about the very real stuff she had going on in her relationships. Each song is entrancing.At first, I didn't like some songs and I was standoffish but now that I have it and just have it on a playlist I became fond of the others too. Some more then others.However, I thought the structure of the album was weak, unlike the very organized born to die and ultraviolence. It lacked personality in my opinion. I think after the harsh born to die / ultraviolence moral criticism, Lana wanted to touch on subjects that she had previously criticized for regardless of the years that went by and the moral growth she developed. However, while trying to make an album to redeem her name, she definitely was misled. She had been developing the album for over a year so I can imagine how many songs she wrote while in the studio that would be more fitting, but in wake of the political crisis and it's effects on hollywood, she felt the need to change her artistic style. Don't get me wrong, I love a happy Lana! I don't want her to be depressed, nor do i want all of her music to be depressing! However, this album feels somewhat superficial but critics are still so harsh on her to this day so I understand why she rerouted the theme.Amazing album regardless!

With the release of 2015’s 'Honeymoon,’ her fourth album, it was apparent that Lana Del Rey had reached a creative dead end. Like 'Ultraviolence' (2014), 'Honeymoon' addressed the collapse of her romantic illusions and little else. 'Honeymoon,' was, in fact, an album about almost nothing. Though it contained a few strong tracks—'Terrence Loves You,' 'Salvatore,' 'Religion,' 'Swan Song' and '24'—the album felt as if Del Rey had become bored with making it midway, which was probably true: in a July 2017 interview, Del Rey said that she felt she had "lost her way" during both the 'Ultraviolence' and 'Honeymoon' periods. On the autumnal ‘Swan Song,’ the last of her own compositions on 'Honeymoon,' she sang, "I will never sing again, with just one wave, it goes away," and seemed to mean it.Happily, 'Lust For Life' (2017) shows the singer recovering her vision and equilibrium, moving in an almost completely new creative direction, attempting more than she ever has before, and, with the title track, the slight 'Love,' 'Groupie Love,' 'Beautiful People, Beautiful Problems' and 'Tomorrow Never Came,' offering the world something resembling traditional, commercially viable pop songs. Del Rey seems deeply connected to these songs in a manner she hasn’t been since 2012’s ‘Paradise,’ and the melodies are the strongest of her career.The shadow of the 1960s, in a variety of cultural and political aspects, haunts 'Lust For Life.' There are interesting musical, vocal and thematic nods to acoustic guitar and the Folk Revival, the Beatles, early Marianne Faithfull, to the Shangri-Las, to the budding ecological movement. But war and the threat of nuclear war, drug overdoses and addiction, the Charles Manson murders and even a sample from Herk Harvey's 1962 independent ghoul classic, 'Carnival Of Souls' ("I don't belong in the world...that's what it is...something separates me from other people") cast their shadows too.Some of the tracks address personal ethics and national politics with a fair amount of grace; and personal ethics haven’t been a topic Del Rey has ever concerned herself with lyrically. The persona the singer projects here isn’t one of hedonism driven by desire, as she so often did in the past, but one of a woman and individual experiencing something resembling a painful spiritual awakening.Del Rey is a self-acknowledged Democrat and non-supporter of President Donald Trump, but on 'Lust For Life,' she conveys her political opinions subtly, unlike Tori Amos and some other liberal recording artists who tend to express them stridently. Nothing can ruin a song faster than bluntly-expressed propaganda, and on her first attempt in this arena, Del Rey passes with flying colors. Whether or not Del Rey is an astute observer of political matters, or has an advanced degree of insight into them, is another question.Roundly criticized in the recent past by the Left, Lorde and Sonic Youth’s Kim Gordon for her noncommittal responses on questions about feminism and for projecting an image of haughty glamour, Del Rey seems to have realized she had better show solidarity with the Southern California creative community and take a public stand against the sitting president. In the spring, Del Rey playfully announced to the press that she had cast a magical spell against President Trump, probably alienating some fans in the process, as not everyone familiar with her oeuvre would assume that Del Rey was a Democrat on the basis of her lyrics and elite Malibu lifestyle.Though 'Lust For Life' reintroduces the upbeat, playful Lana Del Rey composition with 'Groupie Love’ and others, it is, unsurprisingly, the many tracks with a melancholy undercurrent that anchor it. Despite the sunny cover photograph of the smiling singer with "flowers in her hair," the album is a grim affair. In its expressions of love sickness, self-loathing, isolation and despair, the album 'Lust for Life' most resembles is Tori Amos's tortured 'Boys For Pele' of 1996. 'Heroin,' an ode to a dead friend or lover set at night in Topanga Canyon, is the album's desolate core, with the oddly detached and hallucinating narrator singing, “I’m flying to the moon again/dreaming about heroin/it gave you everything and took your life away.”Del Rey’s music has been called 'Hollywood Sadcore,' and in keeping with that, the album includes multiple wistful ballads about troubled relationships, including 'Cherry,' ‘White Mustang,' 'In My Feelings,' 'Heroin,' 'Change,' and the ghostly '13 Beaches,' which may be the saddest song Del Rey has produced with the exception of 'Old Money,' and which features the album's most impressive vocals.The strongest tracks are the gentle 'Beautiful People, Beautiful Problems,' on which Del Rey duets with Stevie Nicks, 'God Bless America - And All The Beautiful Women In It,' the volcanic 'In My Feelings,' '13 Beaches,' 'White Mustang,' and ‘Heroin.' 'While The World Was At War We Kept Dancing' features some of Del Rey’s tenderest vocals to date. The breezy collaboration with Sean Lennon, 'Tomorrow Never Came,’ feels ready made for Adult Contemporary radio.Musically, the production and arrangements on the balance of the songs are startling, oddly structured, even messy. Perhaps Del Rey and Nowels were aiming for what they conceived as a loose, 'spontaneous,' 1960s-style production, but more often than not, the sound recording, production and arrangements seem amateurish. 'Love' and 'Lust For Life,’ both of which seem to belong to another album entirely, are crystal clear, but 'Beautiful People, Beautiful Problems' sounds muffled and tinny, as if a first year college student studying sound engineering produced it. 'Change' and 'Get Free' sound like first-attempt demos, and not in a good way. If artists as diverse as Twenty One Pilots, Lorde, Anderson East, The Secret Sisters, Barns Courtney and Michael Kiwanuka can manage immaculate production on their own records, why does 'Lust For Life' sound so bad?It is difficult to imagine what Del Rey and Rick Nowels were aiming for on some aspects of 'Get Free' and 'Heroin'--the shrieking about the weather, presumably intended to add verisimilitude, could have been better managed in a dozen other ways--or why 'Cherry' was littered with demeaning expletives. Like some of the baffling phrasing on 'Coachella - Woodstock On My Mind,' the profanities, which might have been clever in a different context, simply seem self-parodying or a poor attempt at bolstering a weak composition.'Cherry,' 'Coachella,' 'Change' and several other tracks seem only half written, and they and other songs are riddled with cliches ("only the good die young," "we're the masters of our own fate/we're the captains of our own souls," "we've got to try, we've got to walk through fire") and lyrics that seem to have come too easily, as if Del Rey chose the first words that came to mind ("change is a powerful thing/people are powerful beings”). It is unlikely that the Lana Del Rey of the polished 'Paradise' era would have accepted such banalities.The hip hop-ish 'Summer Bummer' seems woefully out of place, just as the rap by A$AP Rocky on 'Groupie Love' feels pointlessly tacked on.‘Lust For Life’ is an incohesive crazy quilt of an album, but the genuinely compelling songs validate it and make the weaker tracks easy to ignore. Despite having had the most unprofessional album rollout by a major musician in recent memory, it nonetheless provides ample evidence that Del Rey is more than capable of musical growth, development and maturity, even as each release reveals that Del Rey, who has been considerably lowering her mask in public lately, is in fact not the sophisticated vixen she initially projected herself to be.Though 'Ultraviolence' (2013) and 'Honeymoon' found the singer numb and stumbling, with 'Lust For Life,' Del Rey corrects herself and offers the world a glimpse at a side of her talent it has never seen before.

One of the best CD'S I purchased in a long time

Apesar de passar do prazo da entrega, valeu a pena esperar pois o Cd é lindo e as canções são perfeitas. Para quem gosta do estilo e da própria cantora, é um item indispensável para coleção!

Me encanta este álbum de LDR , es de mis favoritos , lo recomiendo sin duda, respecto al envío llego muy bien empaquetado en una caja y envuelto en papel burbuja, la vdd tenía un poco de miedo en cómo me llegaría ya que siempre que compro checo las reseñas y veía que a muchos les llegaba “quebrado o roto de la cajita “ pero me llegó excelente

Album conforme à celui commandé.

Got it for my daughter. She says it is her best album.