About the Author Brian Azzarello has been writing comics professionally since the mid-1990s. He is the author of JONNY DOUBLE, BATMAN: BROKEN CITY and the Harvey and Eisner Award-winning 100 BULLETS, all created in collaboration with artist Eduardo Risso. The New York Times best-selling author’s other work for DC includes the titles HELLBLAZER and LOVELESS (both with Marcelo Frusin), SUPERMAN: FOR TOMORROW (with Jim Lee), JOKER and LUTHOR (both with Lee Bermejo), SGT. ROCK: BETWEEN HELL AND A HARD PLACE (with Joe Kubert), FILTHY RICH (with Victor Santos), and most recently the all-new ongoing series WONDER WOMAN (with Cliff Chiang). He also wrote the Richard Corben-illustrated graphic novels Cage and Banner for Marvel Comics. Azzarello lives in Chicago with his wife, artist Jill Thompson, and twitters only when he has something to say. Read more
S**Y
Craftsmanship To Be Celebrated
With art by 100 Bullets collaborator Eduardo Risso, Azzarello has created a bleak, unsettling landscape where the very rich are well taken care of, and the rest of us are left to survive by any means necessary.Spaceman follows the story of Orson, one of a group of genetically engineered astronauts meant to explore Mars. However, most of the story takes place in a flooded, ruined city that, like most of the coastal world, has been overwrought by melting glaciers. Long since returned to Earth after the demise of NASA, Orson is left to pirate and scavenge in order to endure.Soon, however, Orson finds himself in the middle of a kidnapping, one in which an orphan has been stolen from a reality television show's super-couple, obviously modelled after Brad Pitt and Angelina Jolie. The couple are the stars of a show where orphans must compete to be adopted by the celebrities and live a life of leisure.Before long, Orson is at odds with the only other surviving member of his astronaut crew, Carter. His brother has taken a darker path in life, consequently, and he too becomes involved with the abduction. If the child is to survive, Orson must overcome hauntings from Mars that still disturb him as well as a very present cadre of killers.Perhaps it helped the book that I suffered from stomach flu while reading it, but the ruin and demise of the world depicted in its pages truly touched a nerve. Risso's gritty, detailed artwork is a perfect match for the tale, and he portrays a horrifyingly civilization that may not be that far off.Quite honestly, I expected Spaceman to take place more in outer space. I was surprised that the majority of the book unfolded on Earth. I was further surprised that, at its core, the story presented a child kidnaping case.However, the story is far more than just that. I truly believe Azzarello to be an underestimated writer in today's literary scene. His stories are often violent, alarming, and graphic, but they also touch on themes that apply to our modern life. For example, Azzarello realizes that we are ruining our environment and that repercussions await us all. Those repercussions are evident in Spaceman. He also has noticed that the poor seem to be getting poorer, while the rich get richer. Spaceman delivers a painfully realistic portrayal of what the current trend may yield.And though it's a matter of much controversy, I find Azzarello's commitment to language commendable in Spaceman. Like his rendition of society, he presents a language that is falling apart, shortened, and slowly dying. Azzarello clearly put a great deal of thought into his vision of our ruined language, and the dedication to his vision reminds me of writers such as Anthony Burgess.Spaceman is a potentially prophetic science fiction work that offers a troubling glimpse of our destiny. Azzarello grants us a violent adventure with the life of a child hanging in the balance, a societal warning, and a craftsmanship to be celebrated.~Scott William Foley, author of Andropia
J**N
Great read
Although difficult to understand at first, Azzarello's bastardized English of the future really immerses you in this dystopic future, where you can't help but be absorbed by Orson's plight/quest/adventure. Risso's artwork is fantastic, and colorists Patricia Mulvhill and Giulia Brusco compliment it beautifully with their work. Top notch.
N**0
the dynamic duo of newer comics
i was hooked on Azzarello since i read the plot summary for "100 Bullets" a year ago, I love his "villain" stories (lex luthor man of steel amd the joker) too
M**O
Great art by Risso
An interesting story. Great art by Risso!
M**A
One of the best graphic novels I've read
This is a brilliant book, not just a comic and not just a graphic novel. I had decided that it was one of the greatest things I've read before I even got about half way through it.I don't want to spoil it by saying anything so if you really appreciate good graphic novels and like stuff like watchmen, loveless etc, you might dig this.
D**E
Desolation Sci-Fi
I came to read this based solely on the fact it's called "Spaceman," but immediately had a two good reasons along with that the moment I realized the creators are Azzarello and Risso. So I knew what I could expect, having read and loved "Batman: Broken City" from them.The writing and art both impress and inspire me. The "space" aspect of this story is actually not what I expected, but more or less traded for equal or greater value as far as I'm concerned; I found myself comparing this story and overall tangibility at least vaguely to "12 Monkeys" (of my Top 5 movies), and "Fluorescent Black," and even a little of the enjoyment I get from the art of Gabriel Bá.If I'm not being clear, I love this book. This may not be for everybody, but sometimes some things are perfect for some people.Excellent storytelling.
M**E
Well made book, great plot, horrible dialect
The book is very well made and of great quality.The plot is fantastic. It is sad, but still very heartwarming.The setting and environment is very interesting.The dialog is awful. The outcasts/lower cast people use a form of slang that does add to the story, but for me it was too hard to follow. I had to constantly break to translate in my head, making for a very choppy read. Some of it didn't even make sense to me. Instead of laughing with the typical Ha Ha Ha, they used lol lol lol. There is no slang for laughing, it is something you just do. People have been doing it the same for all of time and across all cultures, so for it to suddenly change in this story made no sense. It could be the same way people use lol in text messages and instant messaging, but that would mean no one ever laughed in the entire story.If it wasn't for this dialect it would easily be five stars.
Trustpilot
5 days ago
1 month ago