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T**T
Four Stars
Great condition. Thanks!
C**S
Bound Poorly
The pages were falling out of the book like it wasn’t bound correctly.
P**.
Five Stars
many pieces that are simply profound.
A**R
Modernist experiments meet confessional subjects.
The best poems in this book launch themselves from Ezra Pound's experimentation with the use of letters, multiple voices, translation and other decidedly non-poetic materials, disjointedly culling these things together to create meaning in how they resonate off one another. Bidart similarly uses letters, grammatical errors, capitalized words, quotes from journals, etc, to infuse into his poems' forms meaning that is crucial to the emotional and narrative understanding coming from the meaning and music of the words themselves. An important achievement.Bidart's success at this is in part what makes readers blow off Pound's Cantos. Bidart's interest is in human relations, and illustrated these through small interactions. While Pound had similar goals in mind, he never stayed long in the personal interaction, jumping so quickly to usury, metamorphosis, and other topics and grand modernist allusiveness. The reader feels to put-out. Bidart stayed with the people, with their hurt. Lowell taught this. Readers can argue the effectiveness, can worry about whether it is wrong for a writer to take interest in his/her own life, but Bidart has in his poems fused two hugely important poetic movements, and has enlarged the understanding of what poetry can be.
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