--- product_id: 1375416 title: "One Hundred Years of Solitude: A Novel (Harper Perennial Modern Classics)" price: "707288₫" currency: VND in_stock: true reviews_count: 13 url: https://www.desertcart.vn/products/1375416-one-hundred-years-of-solitude-a-novel-harper-perennial-modern store_origin: VN region: Vietnam --- # One Hundred Years of Solitude: A Novel (Harper Perennial Modern Classics) **Price:** 707288₫ **Availability:** ✅ In Stock ## Quick Answers - **What is this?** One Hundred Years of Solitude: A Novel (Harper Perennial Modern Classics) - **How much does it cost?** 707288₫ with free shipping - **Is it available?** Yes, in stock and ready to ship - **Where can I buy it?** [www.desertcart.vn](https://www.desertcart.vn/products/1375416-one-hundred-years-of-solitude-a-novel-harper-perennial-modern) ## Best For - Customers looking for quality international products ## Why This Product - Free international shipping included - Worldwide delivery with tracking - 15-day hassle-free returns ## Description Now a Netflix original series! " One Hundred Years of Solitude is the first piece of literature since the Book of Genesis that should be required reading for the entire human race. . . . García Márquez has done nothing less than to create in the reader a sense of all that is profound, meaningful, and meaningless in life." —William Kennedy, National Observer One of the most influential literary works of our time, One Hundred Years of Solitude remains a dazzling and original achievement by the masterful Gabriel García Márquez, winner of the Nobel Prize in Literature. One Hundred Years of Solitude tells the story of the rise and fall, birth and death of the mythical town of Macondo through the history of the Buendiá family. Inventive, amusing, magnetic, sad and alive with unforgettable men and women—brimming with truth, compassion, and a lyrical magic that strikes the soul—this novel is a masterpiece in the art of fiction. Review: A Beautiful, Confusing, and Kind of Sad Story About Being Human - I went into One Hundred Years of Solitude thinking it was just a normal story about a family, but I quickly realized that it’s not normal at all. The book follows the Buendia family over many generations in the town of Macondo. At first, it feels like a simple story about building a town and starting a new life. But as the book goes on, the story becomes stranger and more emotional. Ghosts appear, time feels like it loops instead of moving forward, and people repeat the same mistakes over and over. Even though some of the events are unrealistic, the emotions behind them feel real, which made the story hit harder than I expected. One of the strongest parts of the book is how it shows patterns in families. The Buendía family repeats the same behaviors, the same relationships, and even the same names across generations. This can be confusing, but it’s also kind of the point. The book shows how people often think they’re breaking away from their past, but end up stuck in the same cycles anyway. It made me think about how family habits and expectations can follow people even when they try to be different. The repetition starts to feel sad after a while, because you realize a lot of the characters don’t learn from what came before them. The setting of Macondo is another strength. The town grows along with the family, and as the family starts to fall,jk apart, so does the town. Macondo feels alive, like it’s affected by the choices of the people who live there. The magical parts of the story, like ghosts or people living way longer than normal, don’t feel random. They represent how memories, trauma, and the past stay with people, even when they want to move on. The magic makes the story feel emotional instead of just strange. That said, the book is definitely hard to follow at times. There are a lot of characters with the same names, and the story jumps around in time. I had to stop and reread parts to figure out who was who. This made the book frustrating at moments, especially when the plot slowed down and focused on long descriptions. Some sections felt like they dragged on, and I lost focus a few times because of how detailed the writing is. Even with those struggles, the book leaves an impact. It’s not just about one family. It’s about loneliness, memory, and how history repeats itself when people don’t learn from it. The title makes sense by the end because so many characters are surrounded by people but still feel alone. The story doesn’t wrap everything up in a neat, happy way, but that honestly makes it feel more real. Overall, this is a challenging book, but it’s meaningful if you take your time with it and think about what it’s saying. Review: All in the family... - I first read "One Hundred Years of Solitude" not long after it was first published in English, almost 40 years ago. It was a wonderful, and magically, if you will, introduction to Latin American literature. Subsequently, I've read several other works by Marquez, notably, Love in the Time of Cholera (Vintage International) some 20 years later, but none have quite cast the spell of my first "love," this one, so I figured a re-read was in order. The "magic" of magic realism has lost none of its charm. The story involves six generations of one family, established by Jose Arcadio Buendia and Ursula Iguaran, who also helped found the town of Macondo, in the lowlands of Columbia, though the country is never specifically identified. The in-breeding (and also out-breeding) in this one family is simply astonishing. I can't remember if the original edition had a genealogical chart at the beginning, but this one does, and it provides an invaluable reference in keeping the philanderings, and the subsequent progeny, straight, particularly since numerous individuals over the generations have the same name. What is the "Scarlet Letter" that is prophesized for a family with such a high degree of consanguinity? That a child will be born with a pig's tail. Marquez dazzles the reader with the intensity of his writing; it's as though he had a 1600 page book in him, but is given a 400 page limit. It is the furious sketching of a street artist, making every line count in a portrait. The strengths, follies, and interactions of the men and women are depicted in memorable events. And there seems to be a realistic balance and development of his characters. Marquez is also the master of segue, from one event to the other, and from one generation to another, with his characters moving from swaddling clothes, on to adulthood, and then into their decrepitude. From my first reading, I had remembered Rebeca, with her "shameful" addiction to eating dirt. First time around, I chalked it up to Marquez's "magical realism," since no one really ate dirt. Several years later I learned that it is a wide-spread medical problem, often driven by a mineral deficiency that the person is trying to remediate. The author also describes the disease of insomnia which was spread to Macondo, with an accompanying plague of forgetfulness. Magical realism, or the forgetfulness of the "now" generation that has lost the stories of the past? Establishing the time period comes slowly. Marquez mentions Sir Frances Drake, but he is in the unspecified past. It is only when a family portrait is taken, as a daguerreotype photo, that one realizes it must be in the 1840's-50's, with six generations to go. There are a multitude of themes: since this IS Latin America, Marquez has the obligatory gringos and their banana plantations (alas, all too true); there is endless, senseless war, with the two sides eventually unable to state what they are fighting for, except, of course, the war itself; there are the women who drive men crazy with their beauty, and there is the spitefulness of women to each other (alas, again, the "sisterhood'); there is economic development, and a worker's revolt, and the use of other members of the same class, but in uniform, who repress it; there is the role of the Catholic Church in Latin America, and even a family member who would be Pope and there are unflinching portrayals of the aging process, alas, to the third power. On the re-read, I noticed a portion of the novel that was much further developed in Innocent Erendira: and Other Stories (Perennial Classics) . Also nestled in the book was an important reference: "Taken among them were Jose Arcadio Segundo and Lorenzo Gavilan, a colonel in the Mexican revolution, exiled in Macondo, who said that he had been witness to the heroism of his comrade Artemio Cruz." Checking Marquez bio, he has been a long-time friend of Carlos Fuentes, slipped this reference in 100 years, which is an omen for me, since I was considering re-reading Fuentes marvelous The Death of Artemio Cruz: A Novel (FSG Classics) And in terms of omens, redux even, do future travel plans include meeting another character in the book, the Queen of Madagascar? I recently had dinner with a woman who had been Ambassador to one of the Latin American countries. Spanish is her native language, and she still reads some of the Latin American writers in Spanish to "keep her language skills up." As for "100 years," she had read it four times, each time in English. It's a record I am unlikely to repeat, but this novel, which honors the Nobel Prize with its name, could use a third read, if I am granted enough time. It ages well, sans decrepitude, and provided much more meaning the second time around. 6-stars. ## Technical Specifications | Specification | Value | |---------------|-------| | Best Sellers Rank | #1,752 in Books ( See Top 100 in Books ) #20 in Contemporary Literature & Fiction #89 in Classic Literature & Fiction #299 in Literary Fiction (Books) | | Customer Reviews | 4.6 out of 5 stars 4,511 Reviews | ## Images ![One Hundred Years of Solitude: A Novel (Harper Perennial Modern Classics) - Image 1](https://m.media-amazon.com/images/I/81dy4cfPGuL.jpg) ## Customer Reviews ### ⭐⭐⭐⭐⭐ A Beautiful, Confusing, and Kind of Sad Story About Being Human *by E***R on February 20, 2026* I went into One Hundred Years of Solitude thinking it was just a normal story about a family, but I quickly realized that it’s not normal at all. The book follows the Buendia family over many generations in the town of Macondo. At first, it feels like a simple story about building a town and starting a new life. But as the book goes on, the story becomes stranger and more emotional. Ghosts appear, time feels like it loops instead of moving forward, and people repeat the same mistakes over and over. Even though some of the events are unrealistic, the emotions behind them feel real, which made the story hit harder than I expected. One of the strongest parts of the book is how it shows patterns in families. The Buendía family repeats the same behaviors, the same relationships, and even the same names across generations. This can be confusing, but it’s also kind of the point. The book shows how people often think they’re breaking away from their past, but end up stuck in the same cycles anyway. It made me think about how family habits and expectations can follow people even when they try to be different. The repetition starts to feel sad after a while, because you realize a lot of the characters don’t learn from what came before them. The setting of Macondo is another strength. The town grows along with the family, and as the family starts to fall,jk apart, so does the town. Macondo feels alive, like it’s affected by the choices of the people who live there. The magical parts of the story, like ghosts or people living way longer than normal, don’t feel random. They represent how memories, trauma, and the past stay with people, even when they want to move on. The magic makes the story feel emotional instead of just strange. That said, the book is definitely hard to follow at times. There are a lot of characters with the same names, and the story jumps around in time. I had to stop and reread parts to figure out who was who. This made the book frustrating at moments, especially when the plot slowed down and focused on long descriptions. Some sections felt like they dragged on, and I lost focus a few times because of how detailed the writing is. Even with those struggles, the book leaves an impact. It’s not just about one family. It’s about loneliness, memory, and how history repeats itself when people don’t learn from it. The title makes sense by the end because so many characters are surrounded by people but still feel alone. The story doesn’t wrap everything up in a neat, happy way, but that honestly makes it feel more real. Overall, this is a challenging book, but it’s meaningful if you take your time with it and think about what it’s saying. ### ⭐⭐⭐⭐⭐ All in the family... *by J***I on February 4, 2011* I first read "One Hundred Years of Solitude" not long after it was first published in English, almost 40 years ago. It was a wonderful, and magically, if you will, introduction to Latin American literature. Subsequently, I've read several other works by Marquez, notably, Love in the Time of Cholera (Vintage International) some 20 years later, but none have quite cast the spell of my first "love," this one, so I figured a re-read was in order. The "magic" of magic realism has lost none of its charm. The story involves six generations of one family, established by Jose Arcadio Buendia and Ursula Iguaran, who also helped found the town of Macondo, in the lowlands of Columbia, though the country is never specifically identified. The in-breeding (and also out-breeding) in this one family is simply astonishing. I can't remember if the original edition had a genealogical chart at the beginning, but this one does, and it provides an invaluable reference in keeping the philanderings, and the subsequent progeny, straight, particularly since numerous individuals over the generations have the same name. What is the "Scarlet Letter" that is prophesized for a family with such a high degree of consanguinity? That a child will be born with a pig's tail. Marquez dazzles the reader with the intensity of his writing; it's as though he had a 1600 page book in him, but is given a 400 page limit. It is the furious sketching of a street artist, making every line count in a portrait. The strengths, follies, and interactions of the men and women are depicted in memorable events. And there seems to be a realistic balance and development of his characters. Marquez is also the master of segue, from one event to the other, and from one generation to another, with his characters moving from swaddling clothes, on to adulthood, and then into their decrepitude. From my first reading, I had remembered Rebeca, with her "shameful" addiction to eating dirt. First time around, I chalked it up to Marquez's "magical realism," since no one really ate dirt. Several years later I learned that it is a wide-spread medical problem, often driven by a mineral deficiency that the person is trying to remediate. The author also describes the disease of insomnia which was spread to Macondo, with an accompanying plague of forgetfulness. Magical realism, or the forgetfulness of the "now" generation that has lost the stories of the past? Establishing the time period comes slowly. Marquez mentions Sir Frances Drake, but he is in the unspecified past. It is only when a family portrait is taken, as a daguerreotype photo, that one realizes it must be in the 1840's-50's, with six generations to go. There are a multitude of themes: since this IS Latin America, Marquez has the obligatory gringos and their banana plantations (alas, all too true); there is endless, senseless war, with the two sides eventually unable to state what they are fighting for, except, of course, the war itself; there are the women who drive men crazy with their beauty, and there is the spitefulness of women to each other (alas, again, the "sisterhood'); there is economic development, and a worker's revolt, and the use of other members of the same class, but in uniform, who repress it; there is the role of the Catholic Church in Latin America, and even a family member who would be Pope and there are unflinching portrayals of the aging process, alas, to the third power. On the re-read, I noticed a portion of the novel that was much further developed in Innocent Erendira: and Other Stories (Perennial Classics) . Also nestled in the book was an important reference: "Taken among them were Jose Arcadio Segundo and Lorenzo Gavilan, a colonel in the Mexican revolution, exiled in Macondo, who said that he had been witness to the heroism of his comrade Artemio Cruz." Checking Marquez bio, he has been a long-time friend of Carlos Fuentes, slipped this reference in 100 years, which is an omen for me, since I was considering re-reading Fuentes marvelous The Death of Artemio Cruz: A Novel (FSG Classics) And in terms of omens, redux even, do future travel plans include meeting another character in the book, the Queen of Madagascar? I recently had dinner with a woman who had been Ambassador to one of the Latin American countries. Spanish is her native language, and she still reads some of the Latin American writers in Spanish to "keep her language skills up." As for "100 years," she had read it four times, each time in English. It's a record I am unlikely to repeat, but this novel, which honors the Nobel Prize with its name, could use a third read, if I am granted enough time. It ages well, sans decrepitude, and provided much more meaning the second time around. 6-stars. ### ⭐⭐⭐⭐⭐ Incredible in its literary machinations *by D***N on June 9, 2018* In the world of this story, solitude can be shared as well as cherished. It can be something that offers consolation, but it can also be an insufferable burden. In the world of this story, part real and part fantasy, with the distinction between the two oscillating periodically with random amplitude, ice is a rare jewel, wars are imagined to be fought using magnifying glasses, and the immune system can be almost infinitely resistant to pathogens. Obstinacy and dogmatism become tools for survival and provoke warfare, and keep the imagination at abeyance. Fear is ranked less than curiosity but curiosity can trounce social coherence and shared purpose. Curiosity dominates, beginning at birth, with no concern at all with any wax of Icarus. In the world of this story, the proliferation and diversity of avian fauna can operate as a directional beacon as well as an acoustic source of madness. Inventions can be in the imagination and as is canonical, can interfere with family life with its predilection to supervise and make rigid its younger members. Fortune telling and other flights of fancy can coexist with scientific and technical innovation with wandering gypsies being the innovators. There is also a slice of post-modernistic nihilism where words have filed for a divorce from their referents. In the world of this story, loss of memory is a collective infection as is insomnia. There is regularity but also an out-of-equilibrium ethos viz a viz the dance, a consequence of the precision of the metronome and the pianola. Social graces and the rigidity of manners are here also, as well as prudence and other forms of linguistic tools of social manipulation. But fantasies, and the tools used to prove them out, can be destroyed with as much zeal as when they were invented. In the world of this story, the soil of the land can be tread, even consumed, without taking into account any deity and not even reaching out for its assistance. War is brought about by the usual divisions, the usual ideological spirits, coupled with both religious and anti-religious fever. Fakery and quackery, and charlatans diffuse into the territory with ersatz concepts and inert pills. The cruelty and brutality of leaders meshes well with their political dogmatism. In the world of this story, the inability to sleep is not because of worry or biting conscience, but rather because of a plague. Passion and sex are not violent but loud, enough to wake the dead, and accomplished in inopportune places. As is typical, those who fight these wars did not know why they were doing so. Genetic purity results in challenges to the status quo, and with characteristic lack of spine exercises violence against the wild beasts who possess it. In the world of this story, the exhilaration of power (however fictitious is the latter) is countered by other enraptured and exaggerated emotions, leaving power wallowing like a hog in the dung heap of temporary glory. Isolation causes power to decrease exponentially, leaving its victim disoriented and more solitary than ever. Hell then becomes an anti-Sartrian lack of other people. In the world of this story, family backgrounds, affiliations, names, and characteristics are the result of random perturbations and combinations collecting charge when rubbing together, with consequent repelling when collecting the same sign, and coming together if not. Volatility in outlooks occurs without the stultifying latency of inaction. In the world of this story, beauty, incredible beauty, unbelievable beauty makes its appearance and instills both typical and atypical reactions, mesmerizing both the weak and strong, but inducing solitude in its bearer. But this beauty is natural, to be distinguished from the ersatz beauty of the those in authority, wrapped as it is typically is in bangles and crepe paper. In the world of this story, towns and villages can be transformed by inventions as well as doubt, by decadent saboteurs who open their triangles to any willing and paying cylinder. Tolerance as well as xenophobia is clearly manifest with respect to the skin rash of foreign elements who diffuse across boundaries and ergodically mix with the inhabitants, transforming its architecture and forcing them to take on false manners and an excess of tact, prudence, and ethnic tolerance. In the world of this story, intuition can win over perception, and cognition can sometimes win over intuition, but ice can be made in a hot jungle. Gluttony is celebrated as hospitality. Stomachs can at times have unbounded volume. Frivolous thoughts are sometimes quickly suppressed... ....but descriptions use sentences that run on as effectively and magnificently as the human generations that span this story; this incredible display of literary machinations. ## Frequently Bought Together - One Hundred Years of Solitude (Harper Perennial Modern Classics) - Love in the Time of Cholera (Oprah's Book Club) - The House of the Spirits: A Novel --- ## Why Shop on Desertcart? - 🛒 **Trusted by 1.3+ Million Shoppers** — Serving international shoppers since 2016 - 🌍 **Shop Globally** — Access 737+ million products across 21 categories - 💰 **No Hidden Fees** — All customs, duties, and taxes included in the price - 🔄 **15-Day Free Returns** — Hassle-free returns (30 days for PRO members) - 🔒 **Secure Payments** — Trusted payment options with buyer protection - ⭐ **TrustPilot Rated 4.5/5** — Based on 8,000+ happy customer reviews **Shop now:** [https://www.desertcart.vn/products/1375416-one-hundred-years-of-solitude-a-novel-harper-perennial-modern](https://www.desertcart.vn/products/1375416-one-hundred-years-of-solitude-a-novel-harper-perennial-modern) --- *Product available on Desertcart Vietnam* *Store origin: VN* *Last updated: 2026-05-19*