Nadia, Secret of Blue Water - The Adventure Begins (Vol. 1) [DVD]
R**D
wonderful nostalgia
If you've ever lost your child-hood curiosity, this series is sure to bring it back! Nadia covers Europe and the islands of the 1920's when mechanical inventions were the wonders of the new world. Beautifully animated in both characters and background in every scene; this series is sure to be one of your favorite collections as it is one of my favorites too!
C**A
Five Stars
Great Item.
W**H
A shaky start to a good series
Unless you're relatively new to anime you've probably heard of Neon Genesis Evangelion, a landmark in the mech genre that is almost required watching, well ladies and gentlemen this is the first series directed by Neon Genesis Evangelion's creator himself Hideaki Anno and boy is it a pleasant departure from his master work.Personally I am not a fan of Evangelion (I know burn me at the stake for being a heretic) so with this series I was a bit curious to learn what he did before Evangelion.I won't go in to details with the plot so that you can discover this series for yourself but just know that this is a show that you really can't judge by the first volume as the real story and pace don't start fleshing itself out until about episode 5 or 6 which is in the second volume. That is where the real action and mystery begin.This volume is watchable, it's not going to blow your mind or leave you breathless or instantly amaze but it is a decent start. The main problem I have is with the dub which is kind of mediocre at best but for all you purists out there the subs work just as good so I would recommend starting the show off with those instead of getting used to the English cast like I did. It does improve a bit over the course of the show so keep that in mind if you are willing to stick with it. The other aspects of the show I would say have aged fairly gracefully. The soundtrack fits the mood, the animation is pretty good considering its age, the characters are fairly interesting and loveable(though in later episodes Nadia tends to be a little more Shinji Ikari than I would like)and the setting is one that really appeals to a broad audience though if you are a fan of steampunk it's definitely more in your wheelhouse.While I see some similarities as far as Anno's style this is not a clone of Evangelion so if you are looking for something like that then I say look elsewhere but if you want a good adventure show then I would recommend checking it out and at least powering through the first volume to get to the real meat of the series.
J**R
Promising beginning to an uneven (turbulent?) series.
A longtime fan favorite for many years, this 39-part TV series has quite a bit of secrets of its own, one of which I'll talk about before I start my review. In the mid 1970's, prior to obtaining his well-deserved status as Japan's greatest animator ever, a young Hayao Miyazaki was hired by Japanese movie giant Toho to develop ideas for TV series. One of these concepts was "Around the World Under the Sea", based on Jules Verne's 20,000 LEAGUES UNDER THE SEA, in which two orphan children pursued by villains team up with Captain Nemo and his mighty submarine, the Nautilus. Although it was never produced, Toho nonetheless kept the rights to the story outline. Miyazaki would reuse elements from his original concept in later projects of his, notably the Sci-Fi series FUTURE BOY CONAN and the action-adventure feature CASTLE IN THE SKY. Flash forward about ten years later. Animation studio GAINAX was appointed by Toho in 1989 to produce a TV series which would be broadcast on the Japanese educational network NHK (the equivalent of PBS). Miyazaki's outline for "Around the World Under the Sea" was the one which captivated GAINAX the most. Under the direction of brilliant but angst-ridden Hideaki Anno, the animation studio took the central story and setup Miyazaki had developed and touched it up with their own creativity. Thus, NADIA: THE SECRET OF BLUE WATER was born. (Incidentally, Anno had previously worked for Miyazaki as an animator on projects such as NAUSICAA.) The show was a tremendous success in its initial 1990 Japanese broadcast; the title character, Nadia, showed up on the Japanese Animage polls as favorite Anime heroine, dethroning Miyazaki's own NAUSICAA, the previous champion. The story, set in 1889 Paris, follows the adventures of Nadia, a brooding, dark-skinned circus acrobat who has grown up to become a suspicious, strong-willed girl with no clue of her past other than her jeweled necklace, the Blue Water. She refuses to trust anybody other than animals or the diamond, and acts aloof and uninterested when, on a chance day at the Eiffel Tower, she happens to meet a boy her age known as Jean. An ever-lovable, eager-to-please, precocious aviator-wannabe, Jean is easily the most likable character in the show; the sort of best friend or love interest ANYBODY would ever want to have. Nadia, by contrast, is not always lovable; as mentioned, she does not respond to Jean's friendly overtures when they first meet. But Jean, unwilling to take no for an answer, earns her trust when he rescues her from a comic trio of bandits -- the Grandis Gang (a smashingly funny trio consisting of the red-haired, short-tempered Grandis Granva, and her two accomplices, vain Sanson, and mechanic Hanson who threaten to steal the show) -- and unabashedly shows Nadia that he'll do anything to make her happy. Needless to say, Nadia's self-centered, anti-social nature slowly begins to change through her newfound relationship with Jean. The pair are soon thrust into an even bigger adventure when they set off to find Nadia's birthplace, supposedly located in Africa. Rescued by a US battleship hunting down sea monsters, and later taken aboard the Nautilus, the two, already fast friends, will have a lot to deal with during the course of their surprising adventure. The above synopsis sets the stage for a promising beginning to a TV series which unfortunately doesn't always stay afloat. NADIA has twenty-two terrific episodes and the last five ones are equally fantastic, but the remaining episodes vary in quality. However, this is merely another story, as the show still manages to pull enough goodies out of the bag to keep us interested. Plus, the first DVD has tremendous entertainment value, so no problems there. The animation is quite excellent, bursting with wit and imagination, considering that this is a 1989 Anime TV show (most Anime TV series have, at the time, had smaller budgets resulting in choppy frame rates). Shiro Sagisu's music has its occasionally bland moments, but it somehow suits the show. Plus, the opening and ending theme songs (sung by Miho Morikawa) are gorgeous, too. In July of 2001 (ironically, the same time Disney unveiled ATLANTIS: THE LOST EMPIRE), ADV Films released the first DVD in the series for new fans to discover. The visual transfer is very good, despite some minor nicks at points, and the audio is competently mixed. However, the extras aren't really anything special, just the creditless opening and ending as well as trailers for other ADV Films releases, which aren't bad, but they just don't feel like enough. I should also mention that while serious hardcore fans would rather watch the series in Japanese, the English dub made by ADV Films' Austin-based Monster Island studios isn't bad at all for what it is. It was a very nice idea to cast actual children to play the roles of Jean and Nadia, and the results are quite pleasing. Fourteen-year-old Meg Bauman makes a wonderful Nadia, capturing much of her multi-faceted personality and determination. I also liked twelve-year-old Nathan Parsons, who plays Jean. His French accent isn't the greatest, but his enthusiasm shines through, making his performance very enjoyable, despite his slippery dialect. The two youngsters do great chemistry alongside the more experienced adult members of the cast. Sarah Richardson (Grandis), Martin Blacker (Sanson), Corey Gagne (Hanson), Ev Lunning, Jr. (Captain Nemo), Ed Neal (Jean's Uncle), and Jennifer Stuart (Nemo's First Officer Electra) all deliver good, solid performances. Lowell Bartholomee's adaptation maintains the spirit of the show and actually outshines the unpolished, awkwardly translated subtitle script. Granted the dub is not perfect -- aside from the accents, some of the incidental characters sound like they're warming up -- but on the whole, this is a commendable English track, and one to which I don't mind listening. NADIA: THE SECRET OF BLUE WATER may be longer than it was originally supposed to be, but there's enough to enjoy, particularly this first volume. It's quite a lot of fun.
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