Travelogue finds the incomparable Joni Mitchell sticking to the orchestral format that worked so well on her 2000 album, Both Sides Now, where she took a series of American standards, hitched them up to a 70-piece orchestra, and gave them her own quirky twist. With Travelogue, however, she has applied that technique to her own back catalog. Recorded in London's Air Studios with an orchestra, 20-voice choir, and key players such as Herbie Hancock and Wayne Shorter, this double CD offers moving reinterpretations of her most significant songs. There is "Woodstock," for instance, now sounding filmic and expansive, and "Hejira," softened by strings. Mitchell avoids schmaltz, however, with a rigorous, jazz-inspired approach. "God Must Be a Boogie Man," for instance, has a sense of Miles Davis's languid cool, while "For the Roses" sounds vibrant and edgy. On this record Mitchell explores memory and nostalgia, but without a hint of regret. --Lucy O'Brien
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